Earning the Right to be Stupid

It was the great French poet, essayist and aphorist Paul Valéry who wanted some relief from filling his journal every morning, rain or shine. Fed up, he wrote, “Having dedicated those hours to the life of the mind, I thereby earn the right to be stupid for the rest of the day.” Reading Jack Kohl’s…

’55’: A lifelong piano duo legacy

For more than half a century, pianists Katia and Marielle Labèque have held a distinctive place in the musical landscape. Celebrated for the brilliance and precision of their ensemble playing, they have also pursued a career marked by an unusually wide-ranging curiosity.

A great musical celebration of The South Downs 

I don’t think there can be many musical experiences as fine and English than we were lucky enough to witness at St Mary’s Church in Petworth, but in this case, not just English, but more specifically a magical celebration of The South Downs

Going for a song: a recital disc round-up

Do not adjust your browser: this is not my annual ‘recordings of the year’ post, four months early. However, I feel that in my favourite area of classical music – song – there’s been an especially exciting run of releases during 2026: far too many to post about at length, or wait longer to do…

Around the Globe with Stephen Hough

Sir Stephen Hough takes us on a world tour with his new album Postcards, a charming collection of piano miniatures, souvenirs, if you will, collected over his many years of touring and performing around the globe.

Echo chamber: ‘Tao of Glass’, Soho Place, London, UK

‘Tao of Glass’ is somewhere between play and performance art, a mix of memoir, meditation and music. It’s a show only actor-director Phelim McDermott could create, and probably only now. It brings together the elements one might expect from him – innovative uses of movement, props and puppets to create a visual language, a universe…

Grieving pianist receives a 200-year-old hug from Schubert

When George Fu lost his father, he turned to Schubert for solace. Fu likened the experience of playing  Schubert’s Sonata No 19 in C minor to receiving “a hug from 200 years ago”.  Out of this difficult time came a recording, Solitude with Schubert. Impressed with the Schubert project, Karine Hetherington from ArtmuseLondon, went to find…

‘Finale with no ending’ Burstein celebrates the diversity of music

In May of this year I attended the premier of Keith Burstein’s new work, Finale With No Ending, a sextet, which offers tango, Jewish folk music with sumptuous classical orchestration. On stage at the Royal College of Music, Burstein gave the audience some insights into its creation. An early memory of his father playing accordion…