ArtMuse editor Frances Wilson offers a personal celebration of the Wigmore Hall, from its beginnings to the present day Early days The first concert at the new Bechstein (now Wigmore) Hall took place on 31st May 1901. The performance featured English soprano Mrs Helen Trust, ‘king of the violin’ Eugene Ysaye, and composer-pianist Ferruccio Busoni…
Author: ArtMuseLondon
ArtMuseLondon is a site for reviews of art exhibitions and music in London, and general cultural musings, written by people with a keen interest and an honest, accessible approach.
When great intellects tangle: The Wilson-Nabokov Translation Wars
by Michael Johnson Public feuds among eminent authors have produced some of our most entertaining – if pitiful – personal prose. A real feud pulls no punches, and these players have the verbal skills, the chops, to let rip. Ernest Hemingway and F. Scott Fitzgerald competed with their diametrically opposing prose styles. Hemingway likened Fitzgerald’s…
Diverse Voices in Min Kwon’s America/Beautiful
America/Beautiful, devised and performed by American-Korean pianist Min Kwon, is a five-volume collection comprising 76 new piano works by American composers inspired by the iconic patriotic song ‘America the Beautiful
Star turn: Simone McIntosh & Nathaniel LaNasa, Messiaen’s ‘Harawi’, Wigmore Hall, London
This Sunday afternoon recital promised to be a true rarity. In all the time I’ve been going to Wigmore Hall – in fact, attending art song concerts anywhere – I’ve never knowingly seen Messiaen’s ‘Harawi’ programmed. Recordings also seem relatively scarce, with a handful of mentions on the esteemed Presto Music website, and some of…
Pianist Olga Chelova offers a unique interpretation of Chopin’s Études
‘In this recording, Chelova takes a strikingly personal and philosophical approach to these pieces: here, she seeks not just to perform, but to reinterpret the very meaning of the étude.’
Pianist Anastasiya Bazhenova explores the fragility of the human condition
In her debut recording, pianist Anastasiya Bazhenova presents a programme that goes beyond a simple chronological survey of keyboard music. From Mendelssohn to Madness is not just about contrasting different historical periods; it is a deep exploration of the human condition and how our inner worlds change when external stability starts to fade.
Through the fire and flood: ‘Siegfried’ and ‘The Turn of the Screw’, Royal Ballet & Opera
From fights to frights at the RBO, as I managed to escape from reality there twice in a week: first to see ‘Siegfried’, the third instalment in Barrie Kosky’s ongoing Ring cycle for the company. While we’re talking very narrow margins, ‘Siegfried’ has tended to be my least favourite of the four Ring operas. I’ve…
Pianist Siqian Li: “Being well-behaved in music is not a compliment.”
Pianist Siqian Li: “Being well-behaved in music is not a compliment.”
Shostakovich’s 7th Symphony – music for war and resistance
This week it was off to the Philharmonie de Paris, a state-of-the-art concert hall in the north-eastern periphery of the French capital. Paris may be my second home, but this was my first visit to this musical institution designed by the architect Jean Nouvel. Opened in 2015, after a six year wait, there was a lot…
24 Preludes for Piano by Nicholas Scott-Burt
Da-Hee Kim piano Premiere recording Listen to the opening measures of the sixth Prelude from Nicholas Scott-Burt’s 24 Preludes for Piano, and you might be forgiven for thinking this is actually by J S Bach, with its combination of rigour and elegance, counterpoint and Baroque flourishes. The ghost of Bach is also present in the…
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