‘Madame Yevonde’ (born Yevonde Philone Cumbers) was a professional photographer whose versatile, pioneering career – lasting some 60 years until her death in 1975 at the age of 82 – reflected the relentless pace of change during the twentieth century. When visiting this major exhibition devoted to her work, it feels like walking through several…
Author: ArtMuseLondon
ArtMuseLondon is a site for reviews of art exhibitions and music in London, and general cultural musings, written by people with a keen interest and an honest, accessible approach.
András Keller, conductor of Concerto Budapest, in conversation with ArtMuseLondon
Karine Hetherington of ArtMuseLondon caught up with busy conductor András Keller, ahead of his 6-concert UK and Ireland tour with the Concerto Budapest Symphony Orchestra. András – you have forged a brilliant career in music, first as a solo violinist, a concertmaster and chamber musician – and you are now touring the UK with the Concerto Budapest Symphony Orchestra, an orchestra…
Forward thinking: ‘Science Fiction’, Science Museum, London
With a lack of planning that would probably rule me out of any responsible position in the building of a future society, I have only just made it to this captivating exhibition – which has a single week left to run. Worth catching if you’re in the area, but as ever, I’ve tried to give…
Pianist James Iman shines a fascinating new light on Debussy’s IMAGES
IMAN: ALBUM II James W. Iman, piano (Divine Art Recordings) This second album from American pianist James Iman places Debussy’s evergreen ‘Images’ alongside works by Donald Martino (1931-2005) and contemporary composer Jenny Beck (b.1985), whose work ‘Stand Still Here’ receives its premiere recording on this disc. A specialist in music written since 1900 – with…
La Bohème Italian Style at Opera Holland Park
Giacomo Puccini’s Bohème was Opera Holland Park’s popular offering this week. Natasha Metherell, Director of this production, forewent the traditional Parisian setting and opted for an Italian film set of the 1950s. This was a nod to Puccini’s homeland and a gamble which didn’t quite pay off. The stage filled with megaphones, spotlights, film cameras and…
Unbound: Mahan Esfahani & Carolyn Sampson on disc and in recital
For any listener, there’s a special kind of excitement reserved for when favourite artists – those you’ve been following separately for some time, collected their records and so forth – suddenly collaborate. Examples that spring to my mind include ‘The Marble Downs’, a masterpiece made by one of the UK’s greatest (and much missed, certainly…
Bold testament: ‘Out of Her Mouth’, Dunedin Consort & soloists, Village Underground, London
A couple of watermelons still share the stage with the artists as they receive our applause. They are the lucky ones. Their fallen comrades gave their lives in mostly spectacular fashion, just one of the bravura surprises in this wildly inventive production. ‘Out of Her Mouth’ is a joint venture by Dunedin Consort, who supply…
Despax’s ‘Après un rêve’ is a dream of an album
Emmanuel Despax’s boyhood was spent discussing music and poetry with his poet grandfather, Jacques Charpentreau, over French patisseries. Memories of those perfect moments spent with his beloved relative, listening to Debussy, Poulenc, Ravel, Saint Saëns, has led to Despax’s latest piano release, Après un rêve. Some works are daringly familiar. Debussy’s Clair de Lune, for instance, is…
ECHOES: genre-busting inventiveness from Orchestra of the Swan
‘Echoes’ is the latest in Orchestra of the Swan’s ‘mixtape’ series, following on from ‘Timelapse’ and ‘Labyrinths’ (which has received over 8 million audio streams since 2021 and was shortlisted for Gramophone award in the Spatial Audio category). As with their previous mixtape albums, ‘Echoes’ is an eclectic mix of music encompassing a variety of…
A Sublime ‘Hansel and Gretel’ at Opera Holland Park
Opera Holland Park’s decision to take on Engelbert Humperdinck’s Hansel & Gretel this 2023 season was inspired and not only because the story chimes with societal concerns over child poverty and hunger. There are many reasons to see this late 19th century opera, which is far from political and more religious in sentiment, the libretto having been…
ARTMUSELONDON 