Sonata for cello and piano, op. 63 (1978) – world premiere recording The Fairy Shoemaker (1929) – world premiere recording Theme and Variations, op. 57a (1965) The Ox and the Ass Introduction and Carol, op. 71 (1988) Opalescence, op. 72 (1989) Scherzo and Adagio for Unaccompanied Cello, OP. 68 (1987) – world premiere recording Sonata…
Author: ArtMuseLondon
ArtMuseLondon is a site for reviews of art exhibitions and music in London, and general cultural musings, written by people with a keen interest and an honest, accessible approach.
‘Distant Fathers’ Marina Jarre’s Classic Memoir
Having just put down Marina Jarre’s page-turning memoir ‘Distant Fathers’, I am amazed that I have never heard of her before. I am an avid reader of European authors but it seems that even in Italy where she lived, she has been forgotten about. All this will soon change if her autofiction is anything to go…
The dark ascending: Dead Space Chamber Music, ‘The Black Hours’
This is music at once vivid, immediate – and at the same time, otherworldly, almost surreal. In its heady combination of genres, approaches and sounds, the album feels both timeless and original. In the best sense, it’s a sonic trap, daring you to identify familiar elements and motifs, only to snatch them away and re-purpose…
Picture This : ‘Pina’s Line Dancing Troupe’ by Natasha Durlacher
Pina is the one wearing the stripy trousers and here they are practising at St.Pauls Church, Marylebone, where I photographed them. Pina is eighty-four and is the choreographer and the one who set up the dance troupe about twenty years ago. The dancers are now all over seventy years old and most are in their late seventies,…
Picture This: ‘The Erasing of Names, Under Black and White’
‘The Erasing of Names, Under Black and White’ (Oil pastel, ink and acrylic on heavy paper, 75 x 55cm) Jim Aitchison, composer & artist This picture represents part of my work that explores acts of obscuring and erasing, but where the original object still affects the visual result, and where meaningful marks are rendered apparently…
Kosuge’s Electrifying Chopin Wraps up ‘Elements’ Project’
For the past 5 years, pianist Yu Kosuge has created a series of four recordings inspired by the Greek concept of the four elements: Fire, Water, Wind and Earth. Last year her ‘Wind’ album really impressed me with its bird-inspired 18th century music by Daquin,Couperin and Rameau. With her Beethoven, the Tempest Sonata No 2, she really took off. ‘Wind’…
Retrospecstive 2021: slight return
One more look in the rear-view mirror before 2021 disappears completely… After the multi-course blowout of choosing 25 recordings of the year, this is more of a digestif, if you will. A few events and developments that gave me cause for celebration: one each for pop, classical, TV, media and film. Bon ‘Voyage’: the return…
Picture this: St Aldhelm’s Chapel, Dorset
St Aldhelm’s chapel stands above the headland of St Aldhelm’s (or St Alban’s) Head on the Dorset coast, near Swanage. The chapel is just visible from the village of Worth Matravers, about 2 miles inland, and is accessed via a rough path from the village. I am by no means a skilled photographer, but I…
Retrospecstive 2021: Adrian Ainsworth’s 25 recordings of the year
As ever, blood, sweat, tears and several industrial-strength mugs of tea have gone into this year’s round-up. Even while the ongoing impact of the pandemic continues to make musicians’ lives uncertain at best and hellish at worst, they have still managed to do us listeners proud. I have already written about some of the below…
Karine Hetherington from ArtMuseLondon presents her recording highlights for 2021
Despite the restart of live performance this year, the climate continued to be challenging for artists and audiences alike. 2021 however was a good year for recordings and I felt lucky to be able to listen to a number of fantastic new releases from Orchid Classics, Pentatone, Signum Classics, Deutsche Grammophon and Naxos. From the…
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