I admit I hadn’t heard of Nicholaes Maes, reportedly Rembrandt’s favourite pupil, so I was very keen to discover his work at the National Gallery at the beginning of March 2020, just before lockdown. The mid-seventeenth century must have been an exciting time for the young Maes, who left his home town of…
Category: 17th century
Over the Top with Everything They’d Got: British Baroque at Tate Britain
The new show at Tate Britain, British Baroque: Power and Illusion starts in another epoch when our relationship with Europe was a tad strained, let us say, and ends at the point when a German prince who spoke not a word of English was invited – if not begged – to take over the English throne. You’d almost think Tate Britain had timed this show deliberately.