Olfasson brings a fresh perspective to well-known repertoire through thoughtful programming, finding intriguing connections and shining a new light on the familiar
Category: CD review
Flowers We Are – Kurtág & Couperin
Yehuda Inbar, piano This new album from Israeli pianist Yehuda Inbar, released ahead of György Kurtág’s 100th birthday in February 2026, brings together music written over 200 years apart – a selection of pieces from different Ordres by Couperin and from various books of Játékok (‘Games’) by Kurtág, which juxtaposed and intertwined, reveal unexpected musical…
Small Treasures – Sarah Beth Briggs, piano
In her latest release, British pianist Sarah Beth Briggs celebrates the notion that “small is beautiful” in a selection of piano miniatures, including two of the greatest sets of miniatures ever written – Robert Schumann’s Waldszenen (Forest Scenes) and Brahms’s 4 Klavierstucke op. 119. These are interspersed with less familiar works by Clara Schumann and…
Odd Sympathies
Matthew Schellhorn, piano This new release from British pianist Matthew Schellhorn draws together an interesting and eclectic selection of piano pieces. As a long-standing champion of contemporary composers through commissions and premières, Schellhorn brings new music to a wider audience. The pieces on this new album all are by living composers, including Cheryl Frances-Hoad, Michael…
Songs to remember: Mary Bevan & Joseph Middleton, ‘Elegy’
‘Elegy’ is a heartfelt, thoughtfully-programmed recital disc that – aside from being a beautiful listen – also shows us something of art’s quieter powers: that living inside music, allowing it to respond to you as much as the reverse, can summon its healing qualities. Bevan began to assemble this collection of songs following the death…
Palimpsest – a compelling debut album which demonstrates how music evolves
Palimpsest Rob Hao, piano Palimpsest – a manuscript or piece of writing material on which later writing has been superimposed on effaced earlier writing. – something reused or altered but still bearing visible traces of its earlier form ‘Classical music lends itself naturally to this layered form of creation as past and present, or composers…
Rock of ages: Matt Howden / Keith Howden, ‘Language for Stone’
This latest collaboration between violinist and songwriter Matt Howden and his poet and artist father Keith – their third – is an extraordinary achievement: in its sonic ambition, its storytelling, its joy in language, its historical reach. A concept album, for sure: but precise, brisk, intricate and forthright. ‘Language for Stone’ began as a record…
Latin translations: Julieth Lozano Rolong & João Araújo, ‘Alma: Ibero-American Songs’
This is a thrilling hour in the company of two artists who perform as if this music is flowing through their veins as well as their heritage. ‘Alma’ shines a spotlight on 20th-century repertoire mostly from Latin America, alongside a smaller selection from Spain and Portugal. Although, as the liner notes tell us, some of…
Schubert Piano Sonata in A D959 & Moments Musicaux – Steven Osborne, piano
In his latest release, pianist Steven Osborne pairs Schubert’s penultimate piano sonata with the Moments Musicaux in a fine recording which makes a most satisfying “recital album”. ‘Who can do anything after Beethoven?’ the 31-year-old Franz Schubert wrote to a friend. Yet, in the last year of his life, he wrote three extraordinary piano sonatas,…
Absence makes the art grow stronger: Bitter Ruin, ‘Arches & Enemies’
Bitter Ruin’s music, high wire and high octane, has always found the sweet spot between intimacy and impact. The duo – Georgia Train (vocals) and Ben Richards (instruments, vocals) – possess a kind of volatile creative chemistry that allowed their records to calm one minute, combust the next. Live, they really were stage animals, presenting…
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