‘Elegy’ is a heartfelt, thoughtfully-programmed recital disc that – aside from being a beautiful listen – also shows us something of art’s quieter powers: that living inside music, allowing it to respond to you as much as the reverse, can summon its healing qualities. Bevan began to assemble this collection of songs following the death…
Category: CD review
Palimpsest – a compelling debut album which demonstrates how music evolves
Palimpsest Rob Hao, piano Palimpsest – a manuscript or piece of writing material on which later writing has been superimposed on effaced earlier writing. – something reused or altered but still bearing visible traces of its earlier form ‘Classical music lends itself naturally to this layered form of creation as past and present, or composers…
Rock of ages: Matt Howden / Keith Howden, ‘Language for Stone’
This latest collaboration between violinist and songwriter Matt Howden and his poet and artist father Keith – their third – is an extraordinary achievement: in its sonic ambition, its storytelling, its joy in language, its historical reach. A concept album, for sure: but precise, brisk, intricate and forthright. ‘Language for Stone’ began as a record…
Latin translations: Julieth Lozano Rolong & João Araújo, ‘Alma: Ibero-American Songs’
This is a thrilling hour in the company of two artists who perform as if this music is flowing through their veins as well as their heritage. ‘Alma’ shines a spotlight on 20th-century repertoire mostly from Latin America, alongside a smaller selection from Spain and Portugal. Although, as the liner notes tell us, some of…
Schubert Piano Sonata in A D959 & Moments Musicaux – Steven Osborne, piano
In his latest release, pianist Steven Osborne pairs Schubert’s penultimate piano sonata with the Moments Musicaux in a fine recording which makes a most satisfying “recital album”. ‘Who can do anything after Beethoven?’ the 31-year-old Franz Schubert wrote to a friend. Yet, in the last year of his life, he wrote three extraordinary piano sonatas,…
Absence makes the art grow stronger: Bitter Ruin, ‘Arches & Enemies’
Bitter Ruin’s music, high wire and high octane, has always found the sweet spot between intimacy and impact. The duo – Georgia Train (vocals) and Ben Richards (instruments, vocals) – possess a kind of volatile creative chemistry that allowed their records to calm one minute, combust the next. Live, they really were stage animals, presenting…
Betrand Chamayou’s ‘Fragments’ – a tribute to Ravel
It’s almost ten years since French pianist Bertrand Chamayou recorded Ravel’s complete piano works, and now, in this the 150th anniversary year of Ravel’s birth, he has released an album which he calls “a modest contribution” to the “anniversary celebrations of a composer who has been my tireless companion since childhood”. ‘Fragments’ is a portrait…
Communicating Without Words, a Family Speciality
Great performances of chamber trios and quartets often rely on the special relationships of players who communicate without words. But brothers and sisters have a natural advantage, having learned music from childhood together. Body language, discreet nods and the composer’s own “dialogue” work best among groups of siblings. The Pascal Trio (father and two sons)…
Song cycle: Carolyn Sampson & Joseph Middleton, ‘Schubert’s Four Seasons’
Carolyn Sampson deftly sidesteps that ‘difficult 103rd album’ syndrome, teaming up with regular duo partner Joseph Middleton on the remarkable ‘Schubert’s Four Seasons’ – a worthy successor to their first two releases dedicated to this composer, ‘A Soprano’s Schubertiade’ and ‘Elysium’. Followers of this team will be well aware of their gift for programming, and…
Exploring Stephen Hough’s ‘The World of Yesterday’: A New Piano Concerto
‘The World of Yesterday’ – written & performed by Sir Stephen Hough, Halle orchestra, Sir Mark Elder British pianist Sir Stephen Hough hadn’t intended to write a piano concerto. But during the dark days of the COVID pandemic, he was approached to write a score for a film about a concert pianist writing a piano…
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