Thrill of ‘La chasse’: I Fagiolini, ‘The Stag Hunt’

Harmony, hilarity – and a touch of horror – are seamlessly combined in this cunning, captivating new release from the innovative vocal ensemble I Fagiolini. Sidestepping the more conventional CD or digital audio formats, ‘The Stag Hunt’ is a nine-minute film, featuring a performance of Renaissance composer Clément Janequin’s ‘La chasse’. Following a brief opening…

20 from 2020

However badly this year has treated us – and in the UK, it has treated those working in the arts very badly indeed – we have still been lucky enough to hear an astonishing amount of great music. Before joining ArtMuseLondon, I would normally assemble a couple of ‘round-up’ posts for my own blog ‘Specs’…

Mystery lays: Stef Conner, ‘Riddle Songs’

This startling, life-affirming record somehow manages a feat that has otherwise eluded science so far: time travel. Stef Conner has composed a suite of songs that demonstrate how, through the arts, the past is all there, all at once, running parallel to our present. What are its secrets? A bit of background (although Conner’s liner…

Baroque in our time

Giovanni Battista Pergolesi (1710-36) Christmas is nearly upon us and time for the Requiems, the Stabat Maters, to be performed in concert halls and churches up and down the country. Now, more so than ever, audiences, can’t seem to be able to get enough of these religious works. Their familiar musical settings are popular for…

Pietà Power at the Cadogan Hall

Saturday night, late October, and there’s a chill in the air, and it’s not all down to weather! Brexit dramas, political deadlock, dire economic and climatic warnings have filled the day. I’m relieved to put those eerily dark streets off Sloane street behind me, and to step into the warmly lit Cadogan Hall. I’ve come…

Pietà Premieres in London: Interview with composer Richard Blackford

In June 2019 Frances Wilson reviewed Pietà, a new choral work by Richard Blackford for The Cross-Eyed Pianist. Drawing on the theme of maternal grief and loss, Blackford took as his starting point the Stabat Mater. It is a hymn to Mary, and portrays her suffering as Jesus Christ’s mother at his crucifixion. In his exploration…