Darkness and light pervade Cordelia Williams’ latest release, Nightlight, which explores the many facets of nighttime – its turmoil, terror and tenderness, and the longing for and consolation of light – through a programme of brooding, atmospheric and ultimately consoling music.
Category: Classical music
Climbing the walls: ‘Jenůfa’, Royal Opera House
Perhaps it’s appropriate that the first opera I’ve seen at Covent Garden since lockdown is this unflinching depiction of confinement and familial dysfunction, Claus Guth’s new staging of Janáček’s masterpiece, ‘Jenůfa’. (Please beware spoilers in this piece – I’ll be roaming around the entirety of the plot, the better to discuss the production.) The drama…
Vital organ: Anna Lapwood, ‘Images’
No matter how long I’ve listened seriously to classical music – and with a mere decade of doing so behind me, I’m still one of the beginners – it’s always a good thing to be reminded that I’ll remain a learner for the duration, until my senses fail. There are always new sounds and new…
Solem Quartet plays Thomas Ades
For their debut album the Solem Quartet embrace the theme of night and day. Heading up the line-up of contemporary composers on this concept album, we have Thomas Adès, with Solem Quartet’s new commission of Four Quarters. Commencing with Nightfall, febrile violins denote ancient stars in distant galaxies with groaning cello and viola signifying earth. In Morning Dew, plucked violin strings…
Rock opera: ENO’s ‘Tosca’ at South Facing Festival
Once there was a time when I would have been fully on top of such exciting news: a rock festival just down the road at Crystal Palace Bowl. Only a few stops on the train, or a mere jaunt on the bus, without any need to negotiate the seething metropolis. In fact, the news reached…
Manc union: Prom 20, Manchester Collective with Mahan Esfahani
Back to the ‘dome from home’ for another evening, and for what turned out to be one of the most thrilling Proms I’ve ever attended, for a whole host of reasons. Mainly, I think it was the sheer energy sustained throughout – the performers set out to electrify the audience, and succeeded. Rewind to what…
Kensington Igor: Prom 8, Pergolesi ‘Stabat mater’ & Stravinsky ‘Pulcinella’
It’s a phrase we’ll hopefully hear a lot more of in the coming weeks and months: “it’s good to be back”. Cliché, perhaps: but the thought filled me like a billowing sail when the Royal Albert Hall loomed into view for my first live Prom of the season. There isn’t another classical music experience quite…
Heart songs: Elizabeth Llewellyn & Simon Lepper; Isata Kanneh-Mason
As soon as I read about ‘Heart and Hereafter’, Elizabeth Llewellyn’s debut recital album on Orchid Classics, I was excited and intrigued to hear it – for three main reasons. First, I had seen and heard her give a magnificent performance in the title role of Verdi’s ‘Luisa Miller’ for English National Opera back in…
Lieder among wo/men: Carolyn Sampson, Roderick Williams & Joseph Middleton in concert
At this year’s Leeds Lieder festival, I finally got to see – for the first time – a form of classical recital I’d been thinking, and even occasionally writing, about for some time: one that behaved like a rock concert. Fitting, then, that we were surprised, amused, shaken up and energised. But was it a…
Set free?
A couple of evenings before writing this, I had the privilege of attending the first art song recital with a live audience at London’s Wigmore Hall since it re-opened to socially-distanced audiences in line with the UK’s current ‘roadmap’ for ending lockdown. The concert was an all-Schubert progamme, performed by soprano Carolyn Sampson and pianist…
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