Album release: Georgia Train, ‘Needles & Pinches’

Here is a singer-songwriter confessional that blasts new energy into the genre. Violently resistant to any cliché, the entire album walks a tightrope between the accessible and avant-garde: unflinching, uncompromising and ultimately unforgettable. Georgia Train has already built up a rich back catalogue. I first heard her music as one half of duo Bitter Ruin…

Two of US: Lucas Meachem & Irina Meachem, ‘Shall We Gather’

This is a big, bold, beautiful beast of an album: a concept recital that uses song to grapple with belonging, community and how those noble aims align with what it means to be American. Let me say at the outset that this is a bravura performance by both singer and pianist. This may be a…

Portal remains: Wyndow, ‘Wyndow’

Even when dealing with highly original, individual talents, sometimes musicians collaborate and produce something so complete that – not only do you wonder how they never found each other before – it also sounds like they’ve already been working together for years. This is the case with the self-titled debut album by Wyndow, whose core…

‘Historical Fiction’ Forshaw brings sax to the baroque.

Karine Hetherington from ArtMuseLondon caught up with composer and saxophonist, Christian Forshaw, and soprano Grace Davidson, shortly before the release of their latest album, Historical Fiction. Christian’s arrangement of Handel’s ‘Eternal Source of Light Divine’ has already attracted 36,000 views on YouTube and was featured on Classic FM.  Christian and Grace, what are your earliest musical memories? C: Beatles and choral…

Manc union: Prom 20, Manchester Collective with Mahan Esfahani

Back to the ‘dome from home’ for another evening, and for what turned out to be one of the most thrilling Proms I’ve ever attended, for a whole host of reasons. Mainly, I think it was the sheer energy sustained throughout – the performers set out to electrify the audience, and succeeded. Rewind to what…

Alpha tale: Pete Paphides, ‘Broken Greek’

I am extremely late to this party, as ‘Broken Greek’ has now been in paperback for a couple of months. Back in 2020, its initial appearance was greeted by a chorus of rave reviews and widespread, well-deserved appreciation. It not only won the Royal Society of Literature’s 2021 Christopher Bland Prize, it was also my…

Lost in music: Daniel Bachman, ‘Axacan’

This is an extraordinary piece of work: a new suite of tracks from an artist previously new to me, which had me pressing my headphones to my ears on repeat plays, hungry for every morsel of sonic detail, and enveloping me in a shifting atmosphere of both delight and dread. Absolute required listening. * Daniel…

Set free?

A couple of evenings before writing this, I had the privilege of attending the first art song recital with a live audience at London’s Wigmore Hall since it re-opened to socially-distanced audiences in line with the UK’s current ‘roadmap’ for ending lockdown. The concert was an all-Schubert progamme, performed by soprano Carolyn Sampson and pianist…