Walter Sickert Unsettles and Enchants at Tate Britain Retrospective

Walter Sickert is a bit of an enigma. Brilliant certainly, rather weird, probably. Author, Patricia Cornwell, wrote a book about him, claiming that he was the Jack the Ripper. She is not the first writer to associate Sickert with the infamous murderer. Other writers postulate that Sickert was the Ripper’s assistant. What is undeniable, is that Sickert…

Fashioning Masculinities at the Victoria and Albert Museum

With its latest exhibition Fashioning Masculinities, the Victoria and Albert Museum traces the paths of masculinity through clothes (historical mostly) objects, film, and painting, from the 16th century to today. I admit to having been a little sceptical about the enterprise, fearing that it would be too much of a challenge to cover such a broad topic…

Poussin and the Dance at the National Gallery, London

 Nicolas Poussin (1594-1665)  A thought-provoking exhibition which offers a different view of Poussin’s early work in Rome and displays his paintings in a sympathetic and joyous environment.  Guest review by Sarah Mulvey Detail from a Bacchanalian Revel Before a Term, ca.1632-33, London, National Gallery  I am spellbound before Poussin’s painting of the Adoration of the Golden Calf in the…

The Royal Academy Summer Exhibition 2020

Guest review by Sarah Mulvey Featured: Nijdeka Akunyili Crosby, Blend In-Stand Out, Mixed Media, 243 x 314cm From July this year social life for gallery-goers returned almost to normal as many museums and galleries opened their doors to visitors. So, we re-inhabited the streets and met friends indoors, our smart phones tracking our movements around…

Over the Top with Everything They’d Got: British Baroque at Tate Britain

The new show at Tate Britain, British Baroque: Power and Illusion starts in another epoch when our relationship with Europe was a tad strained, let us say, and ends at the point when a German prince who spoke not a word of English was invited – if not begged – to take over the English throne. You’d almost think Tate Britain had timed this show deliberately.

In Search of Dora Maar

Model, Assia Granatouroff photographed by Dora Maar   Walking into the Tate Modern show on Dora Maar, a question wouldn’t go away. Would Maar’s best work turn out to be what she produced during her years with Picasso? The Barbican show I had attended on artistic couples, in January of this year, was still fresh…