Fright wing: ‘The Horror Show’, Somerset House, London

Emergency! Emergency! I made it to this show unforgivably late in the run, and at the time of writing it only has a week remaining. If you’re in or near London and can find the time, I would recommend it purely for the heady, intense experience it offers. Failing that, I hope you find the…

Motion captures: William Kentridge at the Royal Academy of Arts, London

As I write, there is just under a fortnight left – including two weekends – to see the Royal Academy’s retrospective of South African artist William Kentridge. I urge you to go if you can. Kentridge also directs and stages opera, and it’s thanks to English National Opera (‘ENO’) that I first encountered his work….

Organised K-os: ‘Hallyu! – The Korean Wave’, V&A, London

‘Hallyu’ – the eye-catching title of this big-ticket exhibition at London’s Victoria & Albert Museum (‘V&A’) – translates as ‘Korean wave’, the phrase used to describe Korean culture’s steady rise to prominence over the last 25 years or so. Informed by a K-pop aesthetic, it’s a heady, day-glo, assault-on-the-senses experience. Throw yourself into it and…

Walter Sickert Unsettles and Enchants at Tate Britain Retrospective

Walter Sickert is a bit of an enigma. Brilliant certainly, rather weird, probably. Author, Patricia Cornwell, wrote a book about him, claiming that he was the Jack the Ripper. She is not the first writer to associate Sickert with the infamous murderer. Other writers postulate that Sickert was the Ripper’s assistant. What is undeniable, is that Sickert…

Fashioning Masculinities at the Victoria and Albert Museum

With its latest exhibition Fashioning Masculinities, the Victoria and Albert Museum traces the paths of masculinity through clothes, objects, film, and painting, from the 16th century to the present. I admit to having been a little sceptical about the enterprise, fearing that it would be too much of a challenge to cover such a broad topic over…

Poussin and the Dance at the National Gallery, London

 Nicolas Poussin (1594-1665)  A thought-provoking exhibition which offers a different view of Poussin’s early work in Rome and displays his paintings in a sympathetic and joyous environment.  Guest review by Sarah Mulvey Detail from a Bacchanalian Revel Before a Term, ca.1632-33, London, National Gallery  I am spellbound before Poussin’s painting of the Adoration of the Golden Calf in the…

The Royal Academy Summer Exhibition 2020

Guest review by Sarah Mulvey Featured: Nijdeka Akunyili Crosby, Blend In-Stand Out, Mixed Media, 243 x 314cm From July this year social life for gallery-goers returned almost to normal as many museums and galleries opened their doors to visitors. So, we re-inhabited the streets and met friends indoors, our smart phones tracking our movements around…