‘Every Tree Speaks To Me’ Peter Ash, conductor of the Odyssey Festival Orchestra, talks about his latest project

American-born conductor and composer, Peter Ash, has always embraced ambitious classical music projects. With the Odyssey Festival Orchestra, an orchestra he founded, he has built up a huge following, presenting classical music in new, exciting ways. Last year, he packed out the Cadogan Hall with Astonish Me – Sergei Diaghilev and the Ballets Russes. Karine Hetherington…

Noriko Ogawa – soon to play at King’s Place, speaks to ArtMuseLondon

Pianist Noriko Ogawa is an internationally respected pianist and recording artist. She is one of the judges of the Hamamatsu International Piano Competition and is soon to play at King’s Place with the current winner of the 2023 Hamamatsu International Piano Competition, pianist, Can Çakmur, On 19th January 2024 you will be playing with Can at…

The Fairy Queen. Purcell in a Pastoral Setting

On July 1st, for one evening only, The Fairy Queen will be performed in the gardens of Wyke House in Somerset. ArtMuseLondon’s opera reviewer, Karine Hetherington, went to talk to bass-baritone, Timothy Dickinson, and soprano, Amy Carson about Purcell’s opera. Why did you choose this opera? Timothy : Having presented Acis & Galatea, the pinnacle of so-called…

At Last! Vengerov’s Albert Hall Celebration of Forty Years Plus On Stage

Maxim Vengerov is “the greatest living string player in the world today” according to Classic FM. He is also a conductor and an educationalist. During lockdown, he created, (with a dedicated IT team), a hugely successful educational platform which live-streamed his free master classes to students and audiences across the world.  Karine Hetherington from ArtMuseLondon…

Interview with choreographer and dancer Russell Maliphant

  Star choreographer and dancer, Russell Maliphant, has become known for his mesmeric dance, music and light productions, which have earned him the Olivier and Southbank Sky Arts Award for dance. He is soon to perform at the Coronet Theatre with dancer Dana Fouras. His collaboration with Fouras attracted 5-star reviews in 2018, with a…

Rencontre avec France Mitrofanoff

Depuis ses débuts dans les années 70, France Mitrofanoff n’a cessé de peindre. D’abord inspirée par le mouvement Cobra, avec ses créatures étranges, elle s’en dégage pour peindre dès Villes, constructions chaotiques où se cachent les habitants, ombres dissimulées derrière les murs. Plus récemment elle a porté son regard sur la nature, en particulier les arbres….

Interview with artist France Mitrofanoff

  Having commenced her career in the 1970s, French artist, France Mitrofanoff, has a vast body of work behind her. Over the years she has tackled many themes: the monster, urban living, alienation and reconstruction. In the past decade she has turned away from the city and has focussed on the cosmos and nature. Her star-studded…

Pietà Premieres in London: Interview with composer Richard Blackford

In June 2019 Frances Wilson reviewed Pietà, a new choral work by Richard Blackford for The Cross-Eyed Pianist. Drawing on the theme of maternal grief and loss, Blackford took as his starting point the Stabat Mater. It is a hymn to Mary, and portrays her suffering as Jesus Christ’s mother at his crucifixion. In his exploration…