Do not adjust your browser: this is not my annual ‘recordings of the year’ post, four months early. However, I feel that in my favourite area of classical music – song – there’s been an especially exciting run of releases during 2026: far too many to post about at length, or wait longer to do…
Category: lieder
Musical moment: Carolyn Sampson & Joseph Middleton, ‘1901’, Wigmore Hall, London, UK
2026 marks Wigmore Hall’s 125th anniversary, and the venue has been celebrating its birth year in style, with a fortnight-long festival of over 20 concerts. This jewel among them took us back to when the Hall opened its doors, with every song featured dating back to 1901. Followers of this duo will already be familiar…
Songs to remember: Mary Bevan & Joseph Middleton, ‘Elegy’
‘Elegy’ is a heartfelt, thoughtfully-programmed recital disc that – aside from being a beautiful listen – also shows us something of art’s quieter powers: that living inside music, allowing it to respond to you as much as the reverse, can summon its healing qualities. Bevan began to assemble this collection of songs following the death…
Song cycle: Carolyn Sampson & Joseph Middleton, ‘Schubert’s Four Seasons’
Carolyn Sampson deftly sidesteps that ‘difficult 103rd album’ syndrome, teaming up with regular duo partner Joseph Middleton on the remarkable ‘Schubert’s Four Seasons’ – a worthy successor to their first two releases dedicated to this composer, ‘A Soprano’s Schubertiade’ and ‘Elysium’. Followers of this team will be well aware of their gift for programming, and…
Voice recognition: Carolyn Sampson
As many of you will know, soprano Carolyn Sampson reached her 100th recording as a soloist with the release of ‘but I like to sing…’ in November. She celebrated this achievement online, with a series of short videos explaining some of the background to each recording. Full of relaxed charm – with an extra layer…
Apart songs: Carolyn Sampson & Kristian Bezuidenhout, ‘Trennung’
Given the musicians involved, it should come as no surprise to learn that ‘Trennung’ is an immaculately crafted and beautifully performed album. But it’s also an unusual record, turning up at the party dressed as a recital disc, but as time goes on, revealing more and more of its unique character. It’s a considerable sonic…
Lieder among wo/men: Carolyn Sampson, Roderick Williams & Joseph Middleton in concert
At this year’s Leeds Lieder festival, I finally got to see – for the first time – a form of classical recital I’d been thinking, and even occasionally writing, about for some time: one that behaved like a rock concert. Fitting, then, that we were surprised, amused, shaken up and energised. But was it a…
Lieder column: some recent art song releases
A slight change of pace for this piece. Blogging is a privilege that allows us – without any oppressive deadlines or word count restrictions – to immerse ourselves in individual releases when approaching each article. That said, it also makes me acutely aware of those times when there’s a run of discs I love, and…
Role players: Carolyn Sampson & Joseph Middleton, ‘Album für die Frau’
A great art song recital can be exactly that: top-notch performances of beautiful works. On this recording, we find Sampson in exquisite voice, Middleton’s playing as impeccable as ever, and the songs featured are a tribute to the duo’s ongoing flair for engaging, informative programming, live and on disc. However, this time round, the central…
20 from 2020
However badly this year has treated us – and in the UK, it has treated those working in the arts very badly indeed – we have still been lucky enough to hear an astonishing amount of great music. Before joining ArtMuseLondon, I would normally assemble a couple of ‘round-up’ posts for my own blog ‘Specs’…
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