Major breakthrough for Burstein’s opera

Keith Burstein may be a respected British composer but his Manifest Destiny, has given him a major headache since it first premiered in the Assembly Rooms in Edinburgh 2005. The opera, set in the geopolitical context of the Middle East, is the tale of Daniel, a British Jewish composer; Leila, a Palestinian poet, and Mohammed,…

Graphic content: François Berthoud’s posters for Opernhaus Zürich

A real ‘picture post’ from me here. Our recent visit to Opernhaus Zürich coincided with an exhibition of the memorable posters designed for the company by illustrator François Berthoud over the last 13 years. Each poster features an image of a single item linked to the work in question – on some the connection is…

Darkness divisible: ‘L’Orfeo’ and ‘Elias’, Opernhaus Zürich

Our recent Swiss holiday closed with a lightning visit to Opernhaus Zürich, to catch two performances in one day: a matinée of Monteverdi’s ‘L’Orfeo’, followed by a staged version of Mendelssohn’s ‘Elias’ (or ‘Elijah’). Both were rewarding experiences. I had never seen a production of ‘L’Orfeo’ before (a rather important omission, now happily rectified) and…

Thirst class: ‘The Elixir of Love’, English National Opera, London

ENO’s new production of ‘The Elixir of Love’ is a witty and affectionate take on Donizetti’s comic romance, beautifully realised and performed. On entering the auditorium of the Coliseum, you immediately notice something a little out of the ordinary. Instead of the normal safety curtain, a big screen spans the stage, showing a stylised drawing…

English Touring Opera kick starts its 2024 Autumn Season with an entrancing production of Rimsky-Korsakov’s ‘Snowmaiden’

Last week English Touring Opera opened their Autumn touring season with Rimsky-Korsakov’s Snowmaiden. The Snowmaiden premiered at the Mariinsky Theatre, St Petersburg, in 1882 and the Hackney Empire’s plush red stage curtain certainly brought a flavour of Imperial Russia to this evening’s performance.. The stage was lit with a circle of light – glass panels encased wintry…

Marital jealousy and the tears of a clown at Opera Holland Park

Opera Holland Park’s decision to bring two operas together in a double-bill was a stroke of genius yesterday evening. Il segreto di Susanna and Pagliacci deal with the same theme of marital jealousy, but in style and content they couldn’t be more different. ‘Il segreto di Susanna’ by German-Italian composer Ermanno Wolf-Ferrari, is a little-known…

Going dark: ‘Duke Bluebeard’s Castle’, English National Opera, London

Just two performances at the Coliseum for this new ‘semi-staged concert performance’ of Bartók’s only opera. A masterpiece in miniature – two main characters, their entwined fates settled in a mere hour – its enigmatic spell both terrifies and enthrals. A horror story on the surface with layers of murky psychodrama underneath: whatever one’s interpretation,…

Vow of violence: ‘Jephtha’, Royal Opera House, London

‘Jephtha’ was Handel’s final oratorio. He was losing his sight during its composition – ironic, perhaps, that his zealot hero is undone by what he sees at a crucial moment. And, given the work’s power and torment, it is hard not to sense Handel raging against the literal dying of the light. For those unfamiliar…