Based on Victorian bestseller The History of Margaret Catchpole, ‘Margaret Catchpole’, the opera, is the story of a Suffolk servant girl who steals a horse to join her lover in London. In the 18th century when this true story played out, horse-stealing was a capital offence. Stephen Dodgson’s opera was a slow burner during his lifetime. It…
Category: opera
Lustrous line-up of singers for ENO’s Luisa Miller
Verdi is a fascinating composer. His musical output was phenomenal and he managed to notch up twenty-five operas during a long and largely successful career. He was long-living too, dying at the grand old age of eighty-seven. It’s quite an achievement when you think how many composers, worn out from the effort of composing and…
A Darker Setting for Carmen at the Coliseum
Carmen at ENO Bizet’s Carmen has probably been the world’s most performed opera since it premiered at the L’Opéra Comique in Paris in 1875. Scroll up to 2020 and opera houses and directors worldwide are still trying to come up with ways of injecting new life into Bizet’s rich score. Carmen’s hits, have been played…
Orphée – Philip Glass’s mesmerising homage to Jean Cocteau
ENO’s Orphee – exquisitely compelling, it may leave you wondering what really lies on the other side of that mirror in the hallway….
An Electrifying ‘Mask of Orpheus’ at ENO
Aerialists, Matthew Smith (Orpheus Hero) and Alfa Marks (Eurydice Hero) Commissioned by ENO, The Mask of Orpheus, caused quite a stir when it premiered at the Coliseum in 1986. Some heralded it as a genius work. Others found it difficult, which probably explains why it has not been fully staged again until now….
Trouble in Rice’s Underworld
Emma Rice’s ENO staging of Orpheus in the Underworld has been much maligned in the traditional press recently, much to my dismay. Her efforts to update this nineteenth century operetta to suit the modern zeitgeist and ‘me too’ sensibility have been frowned upon by those supposedly in the know, who see her efforts to…
McGregor’s Dance in ‘Orpheus and Eurydice’ Gets the Youth Backing
Dancers in the Underworld. Company Wayne London was in the eye of a rainstorm on the opening night of Orpheus and Eurydice at the ENO so I was relieved to step into the Colosseum’s warm, crimson interior and bound up the stairs to my seat. In the dress circle, people were filming the grand…
Benjamin Britten and the Challenge of Singing
Portrait of Peter Pears and Benjamin Britten by Kenneth Green 1943 The voice is an extraordinary thing. Air pumped from our lungs, passes over the fleshy folds in our throat, to emit a full spectrum of sounds. Some more pleasing than others. Last weekend I shouted and screamed so hard at a football…
Interview: Star Baritone Jacques Imbrailo
Jacques Imbrailo is singing in Jules Massenet’s Werther (see our review here) at the Royal Opera House and then he is off around the world on various singing engagements through 2020. In April this year, this rising star among baritones earned great reviews in Billy Budd and his Albert in Werther is another…
Werther: A Romance Worthy of Revival
Isabel Leonard, Charlotte. Juan Diego Flórez, Werther. As I step into the Royal Opera House’s stylish new café, there is the familiar Covent Garden buzz. It’s the opening night of Werther, and also the start of the new opera season. The talking points are Joyce di Donato’s upcoming title role in Agrippina. She was…
