Over the Top with Everything They’d Got: British Baroque at Tate Britain

The new show at Tate Britain, British Baroque: Power and Illusion starts in another epoch when our relationship with Europe was a tad strained, let us say, and ends at the point when a German prince who spoke not a word of English was invited – if not begged – to take over the English throne. You’d almost think Tate Britain had timed this show deliberately.

‘Rembrandt’s Light’ lights up Dulwich

  A new show has opened for autumn at the Dulwich Picture Gallery. It’s called Rembrandt’s Light. It’s intelligent, empathetic, surprising and at one point breathtaking, and I urge you all to go and see it as soon as possible. Dulwich, the UK’s earliest purpose-built public picture gallery (it was founded in 1811), was designed…

Leonardo da Vinci. A Life in Notebooks

Study of Fetus in the Womb circa 1511   Part artist, part scientist, Da Vinci embodies the Renaissance man par excellence. Luckily for us, the workings of his inner mind in painting, sculpture, anatomy, military engineering and cartography have all been recorded in the notebooks he kept throughout his life. One of these notebooks made…

Parr Displaying His Humanity at National Portrait Gallery

Porthcurno, Cornwall, England, 2017. Martin Parr/Magnum Photos/Rocket Gallery In the same week I watched Don McCullin, photographer extraordinaire, take pictures of fox hunts and Eastbourne in the rain, in the BBC’s Looking for Britain, I find myself at Martin Parr’s Only Human show at the National Portrait Gallery. In it, Parr also explores identity and what…

Diane Arbus: In the Beginning

      Diane Arbus in Washington Square Park, New York City, 1967. Photograph: John Gossage   Diane Arbus remains a giant in the photography world. Her suicide at the age of 48 has contributed to her legendary status. Hailed as a tormented genius, much has been written about her psychological fragility and her obsession…

Love In a Creative Climate

  Artistic duos tend not to receive the attention they deserve in art history. We often read about the art movements and the artists who create them. The artist’s partner or lover meanwhile is often overlooked, or simply seen in terms of a muse. An ambitious exhibition at the Barbican, entitled Modern Couples: Art, Intimacy…