At last! The wait is over. Here is my round-up of favourite releases from the previous calendar year. 2023 felt richer than ever and there were so many wonderful records to choose from. As usual, I’ve spared myself the agony of ranking the selections: democracy rules and the list is in alphabetical order, by artist…
Category: review
Elisabeth Frink : A View from Within
A concise, detailed and sensitively curated new exhibition of work by British sculptor and printmaker Dame Elisabeth Frink (1930-1993) is currently on show at Dorset Museum & Art Gallery in Dorchester. The exhibition focuses on the period when Frink lived in Dorset, working from her home and purpose-built studio at Woolland House near Blandford Forum….
Reinterpreting Brian Eno’s Music for Airports
ENO PIANO Bruce Brubaker, piano “Is it possible to play Music for Airports on the piano?” American pianist, Bruce Brubaker, asked himself this question when thinking about his new album, Eno Piano, a remarkable reinterpretation of Brian Eno’s ambient masterpiece Music for Airports (the album which defined “ambient music”), together with three of Brubaker’s own…
‘Every Tree Speaks To Me’ Peter Ash, conductor of the Odyssey Festival Orchestra, talks about his latest project
American-born conductor and composer, Peter Ash, has always embraced ambitious classical music projects. With the Odyssey Festival Orchestra, an orchestra he founded, he has built up a huge following, presenting classical music in new, exciting ways. Last year, he packed out the Cadogan Hall with Astonish Me – Sergei Diaghilev and the Ballets Russes. Karine Hetherington…
Voice recognition: Carolyn Sampson
As many of you will know, soprano Carolyn Sampson reached her 100th recording as a soloist with the release of ‘but I like to sing…’ in November. She celebrated this achievement online, with a series of short videos explaining some of the background to each recording. Full of relaxed charm – with an extra layer…
Up close with National Opera Studio’s Young Artists
It can be a rocky road for young artists in the opera world. Years of opera training and no guarantee of success. Still – there is help out there. Private patrons and mentors are part of the answer, providing much needed financial support and mentoring for cash-strapped singers. The National Opera Studio, NOS for short,…
Photo synthesis: Hiroshi Sugimoto, Hayward Gallery, London
I came to this exhibition very late, so this is something of an ‘emergency’ post to encourage any of you with some time over the holiday season to catch it in its final fortnight. Sugimoto’s photography is always different; always the same. The subjects change but they are all viewed, literally, through the same lens….
The vast picture show: ‘The Big Screen’, Kulturforum, Berlin
Any cinema enthusiasts within visiting distance of Berlin should head to the Kulturforum (the city’s major arts complex located near Potsdamer Platz) before the end of February. Until then, it plays host to ‘The Big Screen’, a huge, wide-ranging exhibition chronicling the development of the film poster, alongside the evolution of cinema itself. A show…
Vow of violence: ‘Jephtha’, Royal Opera House, London
‘Jephtha’ was Handel’s final oratorio. He was losing his sight during its composition – ironic, perhaps, that his zealot hero is undone by what he sees at a crucial moment. And, given the work’s power and torment, it is hard not to sense Handel raging against the literal dying of the light. For those unfamiliar…
Screening of ‘Il Boemo’ at the 27th Made in Prague Festival sheds new light on forgotten composer, Josef Mysliveček who would become Mozart’s mentor.
The 27th Made in Prague Festival is a long-established arts festival showcasing Czech culture in London. New to the festival, I made my way to the Prince Charles Cinema in Soho last Saturday to attend a special gala screening of the film Il Boemo. Il Boemo translates as The Boemian or The Czech, and relates to Czech musician, Josef Mysliveček,…
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