Has dystopian unease ever been so much fun? Mike Nelson’s exhibition is as serious and sinister as it needs to be. But I felt strong notes of dark humour, and the interactive elements display unchecked, unabashed brio. * ‘Extinction Beckons’ is a suitably foreboding name for an exhibition that – as the accompanying text makes…
Category: review
Interview with Composer Noah Max
Noah Max came to the notice of the wider public this year when his opera A Child in Striped Pyjamas, based on the book, The Boy in the Striped Pyjamas by John Boyne, premiered at the Cockpit theatre. He was interviewed on Radio 4 and his opera received glowing reviews. Max is now set to premier his String Quartet…
Three dolours trilogy: Puccini, ‘Il trittico’, Scottish Opera
‘Il trittico’ – or, ‘The Triptych’ – is made up of three one-act operas, each roughly an hour long, that on the surface appear totally distinct. So much so, in fact, that companies often break the work up into something more manageable: presenting two parts as a double-bill, for example, or pairing one of the…
A Moving Production of Korngold’s ‘Dead City’ at ENO
The Dead City by Austrian composer Erich Wolfgang Korngold was an operatic hit in Europe in the 1920s. Korngold seemed destined for a brilliant operatic career. The opera however sunk into musical oblivion in the 1930s when Hitler’s censorship and the changing tastes of audiences sent Korngold to Hollywood. Invited by the great director and actor,…
Philip Glass’s Akhnaten Still Shines Brightly at the Coliseum
As Glass read Oedipus and Akhnaten about the Egyptian pharaoh Akhnaten, who ruled Egypt in 1351-1334 BC, he knew he had found his final hero to his operatic trilogy of ‘portrait operas’ he had been formulating, dedicated to the great thinkers of this world. By then, Glass had composed two: Einstein on the beach (on Albert Einstein) in…
Tár-nation
I finally saw the film Tár, directed by Todd Field and starring Cate Blanchett as conductor Lydia Tár, as it is now available via streaming. The small screen is perfect for a film where the narrative and drama is intense and concentrated. It also allows one loo/refreshment breaks, as it’s a slow-moving film – nearly…
Artist Collishaw creates ‘Heterosis’ a horticultural metaverse
Mat Collishaw is known for his unsettling, startlingly elegant photographs of burning butterflies and flowers. In his latest artistic project however, Collishaw has changed his focus favouring growth over death. Heterosis is a horticultural metaverse which he has created with designer, Danil Krivoruchko. The two have built a phenomenal website, created a digital environment, in…
Narrative threads: ‘Africa Fashion’, V&A, London
This was one of the most purely exciting exhibitions I’ve seen in a long time. So vibrant and visually assured, it stimulates one’s sight in the same way a complex gourmet meal explodes in multiple flavours across the taste buds. Seasoned visitors to the V&A might not be surprised by this. Quick note for those…
A riveting Rhinegold at ENO
The Rhinegold at English National Opera and the auditorium is buzzing with high-energy. Not a spare seat in view. Wagner may be one of opera’s most controversial figures but interest in his music dramas shows no sign of abating. And for good reason, there is much to admire in his musical theatre. Wagner revolutionised opera, created masterpieces of…
Fauré with a film: We meet innovative French Conductor Laurence Equilbey
Laurence Equilbey is the Musical Director and founder of Insula Orchestra, resident orchestra of La Seine Musicale, a state-of-the-art concert space in the west of Paris, opened in 2017. We interviewed Equilbey on the evening she was conducting Fauré’s Requiem and Gounod’s St Francis of Assisi. A video installation by British artist Mat Collishaw entitled Sky Burial, was to animate both…
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