“I was your childhood friend. You gave me your daughter.” These are words of my late mother-in-law, Ramaba placed next to a saree image in the artist book, Silent Voice. Ramaba’s Alzheimer’s diagnosis alarmed me. She was the epitome of beauty but a disconnect between her and the world had set in. She was unable to communicate…
Category: review
The St Albans Museum+Gallery Presents ‘Drawing in the Dark’ – Henry Moore’s miners
Henry Spencer Moore (1898-1986) is probably one of Britain’s most celebrated sculptors of the 20th century. He is best known for his semi-abstract monumental bronze sculptures which have appeared in museums, galleries and parks throughout the world. At Tate Britain Moore has several rooms given over to his sculptural works and many will have seen…
Retrospecstive 2022: Adrian Ainsworth’s 25 recordings of the year
I enjoyed so many great releases during the last year that merely the act of looking back, replaying some key choices, has taken quite some (pleasurable) time. I hope the 25 I eventually settled on include some new discoveries for you, and that you enjoy them as much as I have. The main list is…
2022: the year culture came in from the cold
At the close of 2021, I wrote an article for this site pondering what 2022 might hold for culture as we emerged blinking into the light after two tough years of lockdowns and restrictions – and virtually no live music, opera, exhibitions, and more…. At the time, the UK was gripped by omicron, a new…
Karine Hetherington’s music highlights in London and Paris and CD Choice for 2022.
In 2022 it was a joy to be back at the Wigmore Hall, King’s Place, English National Opera, Royal Opera and Opera Holland Park. In February, Royal Opera House offered up an imaginative staging of Handel’s oratorio Theodora. Theodora came with a great cast, featuring the fabulous Joyce DiDonato as Irene and new countertenor, Jakub…
Handel’s Messiah Comes to the West End With Too Many Trimmings
Handel’s Messiah can always be relied upon to project us into the Christmas holidays. It is astonishing to think that an age-old oratorio, written in 1741, is still being performed in churches and concert halls up and down the country and that its popularity shows no signs of waning. Over the years, I’ve attended many…
Elizabeth lines: ‘Gloriana’ at English National Opera
ENO’s one-off presentation of Britten’s coronation opera – originally programmed as a platinum jubilee-year special – was destined to become a powerfully significant evening. A double tribute: not only to the late monarch herself, but to the ENO company itself – still very much alive, defying its would-be executioners by putting its heart and soul…
Henry Moore’s Collection of Coalmining drawings go on show at St Alban’s Museum+Gallery
Image: Pit Boys at Pit Head, 1942, Wakefield Permanent Art Collection. Image Courtesy of The Hepworth Wakefield. When we think of Henry Moore we think of his sculptures of women, of his sleek abstract forms – also of his 1940 blitz drawings. What is less well known is that Moore was the son of a miner…
Motion captures: William Kentridge at the Royal Academy of Arts, London
As I write, there is just under a fortnight left – including two weekends – to see the Royal Academy’s retrospective of South African artist William Kentridge. I urge you to go if you can. Kentridge also directs and stages opera, and it’s thanks to English National Opera (‘ENO’) that I first encountered his work….
Paul Newman The Extraordinary Life of an Ordinary Man. A Memoir
Paul Newman – The Extraordinary Life of an Ordinary Man is not a straight memoir as the title suggests, focusing principally on the man rather than the movie actor, whose star shone for many a decade over Hollywood till his death in 2008. Though his career was long, to some, his most enigmatic and most interesting…
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