Dorrit Black, Music, 1927-28 I had never heard of the Grosvenor School of Modern Art until I set foot in the Dulwich Picture Gallery. Founded by wood engraver, Iain Macnab in 1925, the Grosvenor School was different from other London-based art schools of the time. There were no exams, students enrolled on courses when they could,…
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Parr Displaying His Humanity at National Portrait Gallery
Porthcurno, Cornwall, England, 2017. Martin Parr/Magnum Photos/Rocket Gallery In the same week I watched Don McCullin, photographer extraordinaire, take pictures of fox hunts and Eastbourne in the rain, in the BBC’s Looking for Britain, I find myself at Martin Parr’s Only Human show at the National Portrait Gallery. In it, Parr also explores identity and what…
Sax and Jazz. Jean Toussaint Still Has Youth Appeal
Sunday night in Camden. The temperature has plummeted and there are few people about on the high street. Outside the Jazz Cafe however there is a queue forming. I rush to join it and edge my way forwards between the metal barriers to get my wrist stamped. A young man runs alongside us peddling…
Aftermath: Art in the Wake of World War One at Tate Britain
Tate’s survey of the impact of the First World War on art opens with a series of iconic images of conflict. There is Jacob Epstein’s Terminator-like torso in bronze from his ‘The Rock Drill’ of 1913-14, as unnerving as ever. There are photographs of shattered cathedrals, actual helmets dented by shrapnel, and post-war Illustrated Michelin…
My Favourite Things: A Word in Your Shell-like
It is as perfect and organic a whole as a work of art can be.
Soutine’s Portraits: Cooks, Waiters and Bellboys at the Courtauld Gallery
Chaim Soutine and Amedeo Modigliani met in Paris in 1915. Both were Jewish immigrants but otherwise their backgrounds were very different: Modigliani came from a middle class, liberal family from Livorno in Italy, whereas Soutine had been raised in a desperately poor, very Orthodox shtetl near Minsk (now Belarus). The two occupied the same lodgings…
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