Bridget Riley retrospective mesmerises and excites at Hayward Gallery

I still remember the first time I saw Bridget Riley’s vivid, abstract paintings. It was at a provincial gallery, Wolverhampton or somewhere similar, in the mid-1970s. Coloured stripes and shapes shimmered and bounced, their contrasting yet consonant colours jostling and vibrating on the large canvasses. I was fascinated by the rhythm and energy of these…

An added poignancy to Howard Hodgkin’s ‘Absent Friends’

Howard Hodgkin: Absent Friends – National Portrait Gallery, London The title of the National Portrait Gallery’s new exhibition of portraits by British artist Howard Hodgkin has an added poignancy: called ‘Absent Friends’, the show opens just two weeks after the artist died at the age of 84, and thus Hodgkin himself is an absent friend…