As soon as I read about ‘Heart and Hereafter’, Elizabeth Llewellyn’s debut recital album on Orchid Classics, I was excited and intrigued to hear it – for three main reasons. First, I had seen and heard her give a magnificent performance in the title role of Verdi’s ‘Luisa Miller’ for English National Opera back in…
Tag: Adrian Ainsworth
Lieder among wo/men: Carolyn Sampson, Roderick Williams & Joseph Middleton in concert
At this year’s Leeds Lieder festival, I finally got to see – for the first time – a form of classical recital I’d been thinking, and even occasionally writing, about for some time: one that behaved like a rock concert. Fitting, then, that we were surprised, amused, shaken up and energised. But was it a…
Lost in music: Daniel Bachman, ‘Axacan’
This is an extraordinary piece of work: a new suite of tracks from an artist previously new to me, which had me pressing my headphones to my ears on repeat plays, hungry for every morsel of sonic detail, and enveloping me in a shifting atmosphere of both delight and dread. Absolute required listening. * Daniel…
Set free?
A couple of evenings before writing this, I had the privilege of attending the first art song recital with a live audience at London’s Wigmore Hall since it re-opened to socially-distanced audiences in line with the UK’s current ‘roadmap’ for ending lockdown. The concert was an all-Schubert progamme, performed by soprano Carolyn Sampson and pianist…
Lieder column: some recent art song releases
A slight change of pace for this piece. Blogging is a privilege that allows us – without any oppressive deadlines or word count restrictions – to immerse ourselves in individual releases when approaching each article. That said, it also makes me acutely aware of those times when there’s a run of discs I love, and…
Role players: Carolyn Sampson & Joseph Middleton, ‘Album für die Frau’
A great art song recital can be exactly that: top-notch performances of beautiful works. On this recording, we find Sampson in exquisite voice, Middleton’s playing as impeccable as ever, and the songs featured are a tribute to the duo’s ongoing flair for engaging, informative programming, live and on disc. However, this time round, the central…
Pastoral, personal, political: Sieben before, during and beyond lockdown
Matt Howden is a Sheffield-based singer, songwriter, composer, violinist, looping/sequencing technology expert, and teacher/practitioner of sound design and production. An independent, unstoppable musical force who somehow finds enough room under the radar to soar, he is always unpredictable, always reliable. One might have thought the restrictions imposed by the pandemic would slow him down a…
Director’s cuts: John Carpenter, ‘Lost Themes III: Alive After Death’
‘Imaginary soundtrack music’ – creating a suite of pieces or score for a film that doesn’t exist – is not a new idea. In fact, it could almost be a genre in itself, and it’s hard to pin down its beginnings. Perhaps its seeds are in the vaults of library music (now the subject of…
Prom disposal unit
It’s not often I take up my ArtMuseLondon pen in literal anger, writing to purge myself somehow of an irritation that has been eating away at me for a day or two now. I speak – as you have no doubt guessed – of the latest BBC Proms recruitment ad, seeking candidates for roles in…
Second time, round: Kate Arnold, ‘Rota Fortunae II’ EP
For the second year running, Kate Arnold has released a set of songs that possess so much beauty, intricacy and eloquence, they are like precision hits of perfection. This is a genuinely long-awaited release: I’ve looked forward to a sequel ever since Arnold issued ‘Rota Fortunae I’ in February 2020. Understandably, the follow-up has taken…
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