Once there was a time when I would have been fully on top of such exciting news: a rock festival just down the road at Crystal Palace Bowl. Only a few stops on the train, or a mere jaunt on the bus, without any need to negotiate the seething metropolis. In fact, the news reached…
Tag: Adrian Ainsworth
Manc union: Prom 20, Manchester Collective with Mahan Esfahani
Back to the ‘dome from home’ for another evening, and for what turned out to be one of the most thrilling Proms I’ve ever attended, for a whole host of reasons. Mainly, I think it was the sheer energy sustained throughout – the performers set out to electrify the audience, and succeeded. Rewind to what…
Kensington Igor: Prom 8, Pergolesi ‘Stabat mater’ & Stravinsky ‘Pulcinella’
It’s a phrase we’ll hopefully hear a lot more of in the coming weeks and months: “it’s good to be back”. Cliché, perhaps: but the thought filled me like a billowing sail when the Royal Albert Hall loomed into view for my first live Prom of the season. There isn’t another classical music experience quite…
Alpha tale: Pete Paphides, ‘Broken Greek’
I am extremely late to this party, as ‘Broken Greek’ has now been in paperback for a couple of months. Back in 2020, its initial appearance was greeted by a chorus of rave reviews and widespread, well-deserved appreciation. It not only won the Royal Society of Literature’s 2021 Christopher Bland Prize, it was also my…
Heart songs: Elizabeth Llewellyn & Simon Lepper; Isata Kanneh-Mason
As soon as I read about ‘Heart and Hereafter’, Elizabeth Llewellyn’s debut recital album on Orchid Classics, I was excited and intrigued to hear it – for three main reasons. First, I had seen and heard her give a magnificent performance in the title role of Verdi’s ‘Luisa Miller’ for English National Opera back in…
Lieder among wo/men: Carolyn Sampson, Roderick Williams & Joseph Middleton in concert
At this year’s Leeds Lieder festival, I finally got to see – for the first time – a form of classical recital I’d been thinking, and even occasionally writing, about for some time: one that behaved like a rock concert. Fitting, then, that we were surprised, amused, shaken up and energised. But was it a…
Lost in music: Daniel Bachman, ‘Axacan’
This is an extraordinary piece of work: a new suite of tracks from an artist previously new to me, which had me pressing my headphones to my ears on repeat plays, hungry for every morsel of sonic detail, and enveloping me in a shifting atmosphere of both delight and dread. Absolute required listening. * Daniel…
Set free?
A couple of evenings before writing this, I had the privilege of attending the first art song recital with a live audience at London’s Wigmore Hall since it re-opened to socially-distanced audiences in line with the UK’s current ‘roadmap’ for ending lockdown. The concert was an all-Schubert progamme, performed by soprano Carolyn Sampson and pianist…
Lieder column: some recent art song releases
A slight change of pace for this piece. Blogging is a privilege that allows us – without any oppressive deadlines or word count restrictions – to immerse ourselves in individual releases when approaching each article. That said, it also makes me acutely aware of those times when there’s a run of discs I love, and…
Role players: Carolyn Sampson & Joseph Middleton, ‘Album für die Frau’
A great art song recital can be exactly that: top-notch performances of beautiful works. On this recording, we find Sampson in exquisite voice, Middleton’s playing as impeccable as ever, and the songs featured are a tribute to the duo’s ongoing flair for engaging, informative programming, live and on disc. However, this time round, the central…
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