When Franz Lehar’s Merry Widow premiered in Vienna in 1905 it was an instant hit. Its catchy score had men whistling it in the street. Women of all ages and class, swayed to the Merry Widow Waltz imagining themselves in the arms of the Merry Widow’s dashing romantic lead, Danilo. Audiences also loved the central character,…
Tag: Alex Otterburn
In ENO’s Bohème Conductor Ben Glassberg Breathes New Life into Puccini’s Score.
It has been a few years since I last saw La Bohème performed at ENO. In 2019, soprano Natalya Romaniw, sang a magnificent Mimi in that mournful timbre of hers, beautifully conveying the soul of Puccini’s ill-fated seamstress. For the 2022 season, soprano, Sinéad Campbell-Wallace has taken on the iconic role. Her bright-sounding soprano couldn’t be more…
Trouble in Rice’s Underworld
Emma Rice’s ENO staging of Orpheus in the Underworld has been much maligned in the traditional press recently, much to my dismay. Her efforts to update this nineteenth century operetta to suit the modern zeitgeist and ‘me too’ sensibility have been frowned upon by those supposedly in the know, who see her efforts to…
ARTMUSELONDON 