Pretty good together: Barb Jungr and her Trio, ‘My Marquee’

To paraphrase Bob Dylan, one of her heroes and creative touchstones, Barb Jungr contains multitudes. Anyone familiar with her work will know what a versatile talent she is. She personifies what cabaret at its absolute finest can be. She’s a consummate jazz vocalist – commanding, beguiling and arresting whether working within that genre or careering…

BAGATELLES Piano Music by Bernard Hughes

What makes this album truly special is the culmination of many years of collaboration between Bernard Hughes and pianist Matthew Mills, who commissioned and premieres Partita Contrafacta on the disc. The two musicians have been working together for years, resulting in a deep understanding of each other’s artistic vision and an unparalleled ability to bring Hughes’ compositions to life on the piano, which he does masterfully with colour and vigour, humour and warmth.

Beat poetry: Rick Simpson, ‘Twice Shaded’

After a few listens, this album feels like a heroically original achievement: without doubt, a jazz record, but unpredictable in ways one wouldn’t have predicted. Warm yet inscrutable; modest in approach but confident and fizzing with ideas: it’s improvised music that feels as though it’s always existed. How can something so spontaneous feel so permanent?…

An inspired pairing: Schubert piano sonatas D537 & D959 | Garrick Ohlsson

Ten years separate the composition of these two piano sonatas by Franz Schubert. The earlier one, in A minor, was completed in 1817 when Schubert was just twenty, but had already written some 250 lieder. Having left several incomplete piano sonatas in the preceding years, he returned to the form with renewed enthusiasm, perhaps inspired…

A Bad Night in Los Angeles – piano music by Robert Matthew-Walker

The title alone invites further exploration of this interesting, varied disc of piano music by Robert Matthew-Walker, a British composer and an influential part of the classical music recording industry for more than half a century (he ran marketing and publicity departments for leading record labels CBS and RCA, and has been editor of the…

Sound and visions: Sean Shibe, ‘Lost & Found’

The latest album from Sean Shibe is original and rewarding; inspired and inspirational. And the more I play it, the more it also feels like a game-changer, the kind of release that could challenge any preconceptions about the instrument featured and open new avenues of writing and recording for it. * For those unfamiliar, Shibe…

Get ‘Carta’: Xuefei Yang, Royal Liverpool Philharmonic Orchestra, Clark Rundell perform the works of John Brunning

This is an elegant, ravishing album. On first encounter, it might place you firmly in a ‘traditional’ British orchestral soundworld, and lovers of that heritage should investigate this without hesitation. However, there are mysteries and idiosyncrasies waiting to be discovered on further listens – and no wonder, given Xuefei Yang’s distinctive brilliance and composer John…

Apart songs: Carolyn Sampson & Kristian Bezuidenhout, ‘Trennung’

Given the musicians involved, it should come as no surprise to learn that ‘Trennung’ is an immaculately crafted and beautifully performed album. But it’s also an unusual record, turning up at the party dressed as a recital disc, but as time goes on, revealing more and more of its unique character. It’s a considerable sonic…

Stephen Hough plays Schubert

Piano Sonatas D664, 769a & 894 – Stephen Hough (piano). Hyperion, 2022 Schubert’s  “heavenly length”, a term coined by Schumann specifically in relation to Schubert’s ‘Great’ C major Symphony,  is also very much in evidence in the late piano sonatas, whose first movements can last as long as an entire Beethoven sonata.  There is a…