New tradition: an African Concert Series update

Back in 2018, pianist Rebeca Omordia released a solo recital CD called ‘Ekele’, which showcased African art music – that is, works by African composers who had studied and were influenced by Western classical repertoire. To me – and no doubt many others who came across the album – it was an ear-opening journey into…

Martha and Marios duo – a match made at the Barbican

To the Barbican Centre I went last week to see Martha Argerich perform Beethoven’s Concerto no. 2 in B flat major with the Oxford Philharmonic Orchestra. On the program also, Samuel-Coleridge Taylor ‘s Ballade in A minor and Tchaikovsky’s Symphony No 4 in F minor. Outside the Barbican auditorium a long queue snaked around the pillars of…

Pianist Joanna Kacperek produces a captivating album with ‘Variations’

With ‘Variations’, pianist, Joanna Kacperek, has chosen to focus on the humble variation. Like many other composers before them and since, Beethoven, Robert and Clara Schumann, Brahms and Chopin, composed many variations. On this album, Kacperek artfully displays the creative possibilities of these variations, which were a way of exploring a theme for these composers,…

Bywater’s staging of Britten’s Turn of the Screw lifts the opera to new heights

Benjamin Britten’s opera, The Turn of the Screw, is a psychological thriller based on Henry James’s novella of the same title. In the world of opera, psychological thrillers are thin on the ground and for good reason – it is hard to express narrative ambiguity or uncertainty in musical theatre. Isabella Bywater’s production at English National Opera…

English Touring Opera kick starts its 2024 Autumn Season with an entrancing production of Rimsky-Korsakov’s ‘Snowmaiden’

Last week English Touring Opera opened their Autumn touring season with Rimsky-Korsakov’s Snowmaiden. The Snowmaiden premiered at the Mariinsky Theatre, St Petersburg, in 1882 and the Hackney Empire’s plush red stage curtain certainly brought a flavour of Imperial Russia to this evening’s performance.. The stage was lit with a circle of light – glass panels encased wintry…

Paul Grant Cuts It as the Barber of Seville at Opera Holland Park

It was over to Opera Holland Park again, this time for Rossini’s The Barber of Seville. In its time, this opera was a huge success and it remains popular to this day. I have seen it twice in the last few months, at English National Opera, and last Thursday at Opera Holland Park. What makes this such…