As part of the wonderful London Piano Festival which takes place every year at King’s Place, Argentinian pianist, Ingrid Filter performed a romantic programme of Beethoven and Chopin works. Filter came to the stage in dazzling silver jacket and spangled shoes, her starry appearance under the stage lights suggesting more tango than Beethoven or Chopin. Despite her bold…
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Odd Sympathies
Matthew Schellhorn, piano This new release from British pianist Matthew Schellhorn draws together an interesting and eclectic selection of piano pieces. As a long-standing champion of contemporary composers through commissions and premières, Schellhorn brings new music to a wider audience. The pieces on this new album all are by living composers, including Cheryl Frances-Hoad, Michael…
Tavener’s ‘Veil’ set for live recording at London’s Greek Cathedral
ArtMuseLondon caught up with the much in demand British cellist, Guy Johnston, just as he was about to open the Hatfield House Music Festival. Guy – 2025 will be the 14th year of the Hatfield House Music Festival. What is the musical theme for this year? The Gift of Music. The gift of music is one…
Francis Poulenc’s piano miniatures delight
Paul Berkowitz has built a solid reputation with heavy-duty recordings of German composers. His complete Schubert piano sonatas, in particular, have earned him much praise. The Canadian-born pianist has now turned his hand to very different French 20th century repertoire with Francis Poulenc’s piano works. Poulenc frequented avant-garde music and literary circles and came to…
Unveiling Hidden Treasures: Thomas Pitfield’s Piano Music
Thomas Pitfield Piano Music Duncan Honeybourne, piano Pianist Duncan Honeybourne, indefatigable champion of lesser-known and rarely-performed British piano music, brings another gem to wider attention with his recent recording of music by Thomas Pitfield (Heritage Records, March 2025). Born in Bolton, Lancashire, in 1901, Thomas Pitfield was a polymath: a poet, artist, engraver, calligrapher, master…
Martha and Marios duo – a match made at the Barbican
To the Barbican Centre I went last week to see Martha Argerich perform Beethoven’s Concerto no. 2 in B flat major with the Oxford Philharmonic Orchestra. On the program also, Samuel-Coleridge Taylor ‘s Ballade in A minor and Tchaikovsky’s Symphony No 4 in F minor. Outside the Barbican auditorium a long queue snaked around the pillars of…
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