In Opera Holland Park’s Amico Fritz, the love duets rule

In an age where maximum noise and drama seems to be a prerequisite to an opera’s success, Amico Fritz might be regarded as the cuckoo in the nest. Its pastoral, gentle story-line is likely to pass most opera goers by. Opera Holland Park on the other hand is championing Mascagni’s work in a new production – presenting…

New recording of Arne’s Eighteenth Century Hit Impresses

I sat down to Arne: Artaxerxes over the Bank Holiday and believed, at first, that I was listening to a newly discovered Mozart opera. Young Mozart may well have seen  Artaxerxes in London in the mid-1760s when he was touring. He loved opera with a capital L and Thomas Arne’s hit work must have fuelled Mozart’s boyhood passion…

Iolanta: Coming Into the Light

  Portrait of Peter Ilitsch Tchaikovsky by Nikolai Dimitriyevdi Kuznetsov 1893   Tchaikovsky’s philosophical and psychological opera, Iolanta, playing at Opera Holland Park, has been a big hit with critics and audiences alike this summer. It is easy to see why, with its starry line up of singers such as the soprano Natalya Romaniw together…

‘Partenope’ at English National Opera

English National Opera’s 2016/17 season closes with a welcome revival of Christopher Alden’s Olivier Award-winning 2008 production of G. F. Handel’s Partenope, first staged in 1730. The plot, daft even by Baroque comic opera standards, revolves around the mythical Partelope, Queen of Naples, and her multiple suitors. Awash with braggadocio, cross-dressing and sexual intrigue, Silvio…

An opera for our troubled times: ‘The Winter’s Tale’ at ENO

How to turn one of Shakespeare’s late “problem plays” into an opera? It’s something which has preoccupied conductor and composer Ryan Wigglesworth since his student days. Now 37, his ruminations have come to fruition in this commission for English National opera (ENO) and in The Winter’s Tale, he has produced an opera for our troubled…