Trouble in Rice’s Underworld

  Emma Rice’s ENO staging of Orpheus in the Underworld has been much maligned in the traditional press recently, much to my dismay. Her efforts to update this nineteenth century operetta to suit the modern zeitgeist and ‘me too’  sensibility have been frowned upon by those supposedly in the know, who see her efforts to…

‘The Merry Widow’ Comes of Age

  ‘Can you hold my drink so that I can leap over you,’ bellows a middle-aged woman in front of me to perfect strangers. Friday night at the Coliseum and some of the punters in the dress circle have been overdoing the Sauvignon. It’s also the opening night of The Merry Widow and all this boisterous…