NO FEAR Igor Levit

A film by Regina Schilling The title of this fly-on-the-wall documentary about German-Russian pianist Igor Levit is taken from a comment on the Beethoven piano sonatas, music which has been more than a significant part of Levit’s life (he has recorded the complete piano sonatas for Sony Classical and performed several complete cycles of the…

Sea change: ‘Peter Grimes’, English National Opera, London

I was already excited about this evening before a note had even been sung or played. The start of a new ENO season: a happy occasion in itself. But I was also new to this acclaimed David Alden production, which was last given in 2014, only a few months before I went to my very…

András Keller, conductor of Concerto Budapest, in conversation with ArtMuseLondon

Karine Hetherington of ArtMuseLondon caught up with busy conductor András Keller, ahead of his 6-concert UK and Ireland tour with the Concerto Budapest Symphony Orchestra. András – you have forged a brilliant career in music, first as a solo violinist, a concertmaster and chamber musician – and you are now touring the UK with the Concerto Budapest Symphony Orchestra, an orchestra…

Forward thinking: ‘Science Fiction’, Science Museum, London

With a lack of planning that would probably rule me out of any responsible position in the building of a future society, I have only just made it to this captivating exhibition – which has a single week left to run. Worth catching if you’re in the area, but as ever, I’ve tried to give…

Pianist James Iman shines a fascinating new light on Debussy’s IMAGES

IMAN: ALBUM II James W. Iman, piano (Divine Art Recordings) This second album from American pianist James Iman places Debussy’s evergreen ‘Images’ alongside works by Donald Martino (1931-2005) and contemporary composer Jenny Beck (b.1985), whose work ‘Stand Still Here’ receives its premiere recording on this disc. A specialist in music written since 1900 – with…

La Bohème Italian Style at Opera Holland Park

 Giacomo Puccini’s Bohème was Opera Holland Park’s popular offering this week. Natasha Metherell, Director of this production, forewent the traditional Parisian setting and opted for an Italian film set of the 1950s. This was a nod to Puccini’s homeland and a gamble which didn’t quite pay off. The stage filled with megaphones, spotlights, film cameras and…