How appropriate that on this occasion, during the walks between the car and St Barbe Museum & Art Gallery, the chill in the coastal air was icy enough to penetrate my fleece, and the wind strong enough to bend the bare branches of the trees further in, over our heads. St Barbe has an admirable…
Author: ArtMuseLondon
ArtMuseLondon is a site for reviews of art exhibitions and music in London, and general cultural musings, written by people with a keen interest and an honest, accessible approach.
Picture This: Anne Crabbe, photographer
Photography has been a large part of my life for the past 60 years. I have usually worked and exhibited in series; portraits and stories of evacuees of WW2, staff and students at a Cambridge college, local townspeople, book groups, younger family members in my old clothes or still lives of flowers and mantelpieces. These…
Announcement : ‘Picture This’ – a new occasional series
Dear artists and photographers ArtMuseLondon is launching a new occasional series entitled ‘Picture This’ to showcase original works by artists and photographers. You are invited to choose one of your own favourite works (a photograph or painting) and to comment on it in no more than 300 words. We want to hear why you chose…
An immersive, atmospheric mixtape: ‘Labyrinths’ from Orchestra of the Swan
Listening in not-quite-darkness, with only the dim light from my bedside clock radio, I hear An Ending (Ascent) by that master of the ambient, Brian Eno. Of course I recognise it, but not quite in this arrangement. The sounds wash gently over me and in the dark and still of the night, it’s intimate and…
ENO Riding High with Wagner’s Valkyrie
Opening night at the English National Opera’s Valkyrie and the auditorium was full. The excitement was palpable and understandable – it was ENO’s first stab at Wagner in fifteen years. I was thrilled to be able to attend such a landmark event and all credit to ENO for going ahead with the Valkyrie project. Wagner operas are a rarity in…
Stephen Hough Releases Chopin’s Nocturnes
As winter approaches why do classical music lovers tend to whip out the nocturnes? Chopin’s nocturnes conjure up cosy evenings by the fire, home concerts, cigars and cognac. When I was a child, record covers of Chopin, certainly propagated this image. This is probably why Chopin’s music seems accessible, approachable. A little too accessible at…
Album release: Georgia Train, ‘Needles & Pinches’
Here is a singer-songwriter confessional that blasts new energy into the genre. Violently resistant to any cliché, the entire album walks a tightrope between the accessible and avant-garde: unflinching, uncompromising and ultimately unforgettable. Georgia Train has already built up a rich back catalogue. I first heard her music as one half of duo Bitter Ruin…
Hogarth and Europe. A rewarding show at Tate Britain
Hogarth’s ‘Marriage-A-La-Mode 2 – The Tête à Tête 1743 I am always happy to revisit Hogarth’s work. His irreverent paintings and prints seem more alive today in our age of political correctness. Hogarth and Europe at Tate Britain contains sixty Hogarth works, some of them new to the…
Orchestra of the Swan Glides into Old Street
It’s Thursday night and the bars and pubs in Shoreditch are lit up and pumping out music into the cold November air. I have come to an album launch of Stratford-Upon Avon-based Orchestra of the Swan. It’s an edgy venue at Kachett, under the railway arches in Old Street. Half of the musicians have travelled up to London…
Poussin and the Dance at the National Gallery, London
Nicolas Poussin (1594-1665) A thought-provoking exhibition which offers a different view of Poussin’s early work in Rome and displays his paintings in a sympathetic and joyous environment. Guest review by Sarah Mulvey Detail from a Bacchanalian Revel Before a Term, ca.1632-33, London, National Gallery I am spellbound before Poussin’s painting of the Adoration of the Golden Calf in the…
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