Photograph : Rebecca Reid Just when you think you are getting blasé about streamed events, there comes along a concert that you shouldn’t ignore. Conductor Oliver Zeffman is young and has grand ideas. During the pandemic, he commissioned opera-film, Eight Songs from Isolation, from eight leading composers to great acclaim. With his latest project Live at the V&A, he…
Author: ArtMuseLondon
ArtMuseLondon is a site for reviews of art exhibitions and music in London, and general cultural musings, written by people with a keen interest and an honest, accessible approach.
Flowers Fascinate in a new show at Dulwich Picture Gallery
Karl Blossfeldt 1928. Photogravures Flowers have always fascinated. In an intriguing exhibition entitled Unearthed: Photography’s Roots, The Dulwich Picture Gallery, endeavours to bring us its story of plant photography, from 1840 up to the present day. Taking…
Set free?
A couple of evenings before writing this, I had the privilege of attending the first art song recital with a live audience at London’s Wigmore Hall since it re-opened to socially-distanced audiences in line with the UK’s current ‘roadmap’ for ending lockdown. The concert was an all-Schubert progamme, performed by soprano Carolyn Sampson and pianist…
Worth waiting for: Dubuffet at the Barbican
Freed at last from the Covid lockdown vault, this quirky show may be just the ticket if you’re looking to re-engage with actual, red-in-tooth-and-claw art. He may not be for all tastes, but there’s no denying that the work of Jean Dubuffet (1901-85) still packs quite a punch. Dubuffet it was who famously championed, and…
Brahms Third Symphony – a well-kept secret
Brahms wrote his Symphony no.3 in F major in 1883, at the height of his career. Though it was a great hit with nineteenth-century audiences, very little is known about the sources of this mature work today. We do know that the notoriously secretive composer wrote it in Wiesbaden, a picturesque Rhine resort, and that…
English National Opera Announces 2021/22 Season
The English National Opera (ENO) has announced its 2021/22 main stage season. It heralds the ENO’s ambitious return to the London Coliseum following the coronavirus pandemic theatre closures. In line with our founding principle, the season has been designed to delight aficionados and newcomers alike, with a range of audience favourites and bold new productions….
Misery and Hope Through Motion | Visual Musings of William Blake’s ‘The Whirlwind of Lovers’
Guest post by Justin Pennington Simply called the Commedia, Dante Alighieri’s fourteenth-century magnum opus has fascinated scholars since its conception. It has produced many artistic, literary, and psycho-analytical examinations of its concern with eschatology. For those unfamiliar with the poem’s structure, it is the Inferno, with the pilgrim’s journey through Hell, and the powerful visual…
Lieder column: some recent art song releases
A slight change of pace for this piece. Blogging is a privilege that allows us – without any oppressive deadlines or word count restrictions – to immerse ourselves in individual releases when approaching each article. That said, it also makes me acutely aware of those times when there’s a run of discs I love, and…
New recording of Arne’s Eighteenth Century Hit Impresses
I sat down to Arne: Artaxerxes over the Bank Holiday and believed, at first, that I was listening to a newly discovered Mozart opera. Young Mozart may well have seen Artaxerxes in London in the mid-1760s when he was touring. He loved opera with a capital L and Thomas Arne’s hit work must have fuelled Mozart’s boyhood passion…
Soprano Malkin takes on motherhood
With her latest recording, This is Not a Lullaby, Dutch soprano, Channa Malkin, explores motherhood. On her album photograph, she perches on a high stool, in a beige baggy sweater, leaving her legs bare. Malkin, a new mother herself, is challenging the almost unshakeable image of the idealised mother and child, which requires women to…
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