Aftermath: Art in the Wake of World War One at Tate Britain

Tate’s  survey of the impact of the First World War on art opens with a series of iconic images of conflict. There is Jacob Epstein’s Terminator-like torso in bronze from his ‘The Rock Drill’ of 1913-14, as unnerving as ever. There are photographs of shattered cathedrals, actual helmets dented by shrapnel, and post-war Illustrated Michelin…

Favourite things: Wigmore Hall, London

The first in an occasional series in which ArtMuseLondon reviewers select favourite art works, places, music……. Wigmore Hall, nestling unobtrusively just a stone’s throw from the bustle and litter of Oxford Street in a row of tall Edwardian façades, is London’s pre-eminent venue for chamber music, song recitals and solo piano concerts. It was built…

Tunnel Music – Eos Trio at Brunel Museum

The ArtMuseLondon team ventured to Rotherhithe Wednesday night for a fine concert in a most unusual venue  – the massive iron shaft down to the Thames tunnel, the first road tunnel under the river, conceived and built by Marc Brunel, and his then unknown  son, Isambard Kingdom. Known as the Eighth Wonder of the World,…

Just add water: Monet and Architecture at the National Gallery

Monet was born a city-boy, in Paris, but grew up to be the great philosopher-artist of the rural (haystacks) and the bucolic (his lily-pond). Aside from his mirage-like studies of the front of Rouen cathedral, you don’t think of him in relation to architecture, or as having been inspired by the hustle and bustle of…

Iconoclassics with Anthony Hewitt – Classical music in an iconic jazz venue

The Jazz Room in Barnes, SW London, affectionately known as “the suburban Ronnie’s Scotts” (and almost as longstanding as the eponymous Soho jazz club), resonated to a different vibe on Sunday evening when internationally-renowned pianist Anthony Hewitt – an artist more used to playing in hallowed gilded spaces such as the Wigmore or Carnegie Halls…

Picasso’s ‘Year of Wonders’ at Tate Modern

Picasso’s output was so vast and so diverse that exhibition organizers tend to focus on just one aspect of his work. His portraits, for example, were covered in a show at the NPG in 2016 and  last year’s ‘Minotaurs and Matadors’ at Gagosian was about his fascination with bullfighting. Now Tate Modern – in what,…