Martha and Marios duo – a match made at the Barbican

To the Barbican Centre I went last week to see Martha Argerich perform Beethoven’s Concerto no. 2 in B flat major with the Oxford Philharmonic Orchestra. On the program also, Samuel-Coleridge Taylor ‘s Ballade in A minor and Tchaikovsky’s Symphony No 4 in F minor. Outside the Barbican auditorium a long queue snaked around the pillars of…

10th Anniversary of Philip Glass’s Etudes: A New Interpretation

To mark the 10th anniversary of the publication of Philip Glass’s 20 Etudes for piano in November 2024, SOMM Recordings has released a Special Edition of Selected Etudes, performed by pianist and composer, Giusto Di Lallo. Following in the Etude-writing tradition of Chopin and Liszt – pedagogical tools to help pianists improve their playing –…

No limit: Barb Jungr and her Trio, ‘Hallelujah on Desolation Row’

While Barb Jungr has interpreted a range of songs by both Bob Dylan and Leonard Cohen throughout her career, this marvellous new release is only her second album to bring them together as ‘twindred spirits’ of sorts. The first, ‘Hard Rain’, is an essential, blistering listen, focusing on the politics in the poetry. However, this…

Retrospecstive 2024: Adrian Ainsworth’s albums of the year

Time again for my annual labour of love, rounding up my favourite releases of the past year. As usual, I’ve ranged across genres as freely as I can in the time and space available – so I sincerely hope you will browse through the selections and find something intriguing. A bit of housekeeping. Where possible,…

Z.R.I.’s Café Danube: A Musical Journey

The ensemble Z.R.I. take their name from Zum Roten Igel, or ‘To the Red Hedgehog’, the tavern in 19th century Vienna where Schubert and Brahms went to hear Gypsy and folk music. From their radical re-scoring of the Brahms Clarinet Quintet to include accordion and santouri (dulcimer), Z.R.I. create captivating programmes and recordings with their…

Thirst class: ‘The Elixir of Love’, English National Opera, London

ENO’s new production of ‘The Elixir of Love’ is a witty and affectionate take on Donizetti’s comic romance, beautifully realised and performed. On entering the auditorium of the Coliseum, you immediately notice something a little out of the ordinary. Instead of the normal safety curtain, a big screen spans the stage, showing a stylised drawing…