The Cartier show at the V&A is officially open and what a glittering show it promises to be! I haven’t been yet and before taking myself along to South Kensington, I have been perusing the pages of Cartier, a V&A publication, which accompanies the exhibition. The heavy tome is a catalogue of sumptuous jewellery that…
Category: 20th century
Blood ties: ‘Festen’, Royal Opera; ‘Mary, Queen of Scots’, English National Opera
It’s been an intense week. Two operas, over two consecutive evenings, spent with two explosively dysfunctional onstage families. Time to decompress. If you keep an eye on London operantics, you’ll be aware of the world première of Mark-Anthony Turnage’s ‘Festen’ (libretto by Lee Hall, directed by Richard Jones) at Royal Ballet & Opera. And if…
Male gaze: Francis Bacon, ‘Human Presence’, National Portrait Gallery, London
This collection of more than 50 portraits painted by Francis Bacon is certainly intense – although perhaps not for the reasons one might have expected. Some of Bacon’s most famous and celebrated canvases show extremes of violence and distortion: the full-on body horror of the early figures at the crucifixion, or the melting abyss of…
Odaline de la Martinez reflects upon her musical career and why she only gets depressed one day a year – if that!
Chachi – or Odaline de la Martinez in full – is a woman of many talents. The Cuban-born, musical polymath, was the first female composer to conduct at the Proms, in 1984. An energetic promoter of women composers and Latin American music, she is conducting at the 9th London Festival of American Music at the…
Charted territory: an African art music update
Rebeca Omordia is a pioneering champion of African art music – that is, works by African composers that blend the influence of both their own musical roots with their experience and knowledge of the Western classical ‘canon’. Back in spring 2022, I wrote about Omordia’s CD ‘African Pianism’ (SOMM Recordings), a stunning collection of solo…
Marital jealousy and the tears of a clown at Opera Holland Park
Opera Holland Park’s decision to bring two operas together in a double-bill was a stroke of genius yesterday evening. Il segreto di Susanna and Pagliacci deal with the same theme of marital jealousy, but in style and content they couldn’t be more different. ‘Il segreto di Susanna’ by German-Italian composer Ermanno Wolf-Ferrari, is a little-known…
Crown prints: ‘Royal Portraits’, The King’s Gallery, London
Subtitled ‘A Century of Photography’, this is an absolute crowd-pleaser of an exhibition, precision-tooled to draw in the fascinated tourist alongside the domestic royal-watcher. However, whatever your views on the monarchy (which, I can assure you, it won’t change in any way), I still think it deserves your attention. This is a show equally concerned…
The Kukal Quartet make their UK debut at the Czech Centre London
2024 has been the “Year of Czech Music” at the Czech Centre, London. Concerts and films have abounded to remind Londoners not only of the Czech Republic’s incredibly rich heritage but also of its continuing support for its emerging arts and music. One Czech quartet which came to my attention this week was the Kukal…
Dress code: ‘Sargent and Fashion’, Tate Britain, London
Anyone with an interest in portraiture will want to see this exhibition – a glorious opportunity to see more than 50 of John Singer Sargent’s paintings gathered in one place. The fashion theme provides a fascinating through-line, a starting point to appreciate the skill and complexity of Sargent’s compositions. But there are multiple layers to…
Going dark: ‘Duke Bluebeard’s Castle’, English National Opera, London
Just two performances at the Coliseum for this new ‘semi-staged concert performance’ of Bartók’s only opera. A masterpiece in miniature – two main characters, their entwined fates settled in a mere hour – its enigmatic spell both terrifies and enthrals. A horror story on the surface with layers of murky psychodrama underneath: whatever one’s interpretation,…
ARTMUSELONDON 