I confess: initially I was in two minds about even attending this exhibition. The hook, for the record, is that 2026 marks Marilyn Monroe’s centenary year. Even so, i was a little sceptical about why – outside its being a surefire hot ticket – the gallery would shine a spotlight on surely one of the…
Category: 20th century
‘Finale with no ending’ Burstein celebrates the diversity of music
In May of this year I attended the premier of Keith Burstein’s new work, Finale With No Ending, a sextet, which offers tango, Jewish folk music with sumptuous classical orchestration. On stage at the Royal College of Music, Burstein gave the audience some insights into its creation. An early memory of his father playing accordion…
Musical moment: Carolyn Sampson & Joseph Middleton, ‘1901’, Wigmore Hall, London, UK
2026 marks Wigmore Hall’s 125th anniversary, and the venue has been celebrating its birth year in style, with a fortnight-long festival of over 20 concerts. This jewel among them took us back to when the Hall opened its doors, with every song featured dating back to 1901. Followers of this duo will already be familiar…
Star turn: Simone McIntosh & Nathaniel LaNasa, Messiaen’s ‘Harawi’, Wigmore Hall, London
This Sunday afternoon recital promised to be a true rarity. In all the time I’ve been going to Wigmore Hall – in fact, attending art song concerts anywhere – I’ve never knowingly seen Messiaen’s ‘Harawi’ programmed. Recordings also seem relatively scarce, with a handful of mentions on the esteemed Presto Music website, and some of…
Through the fire and flood: ‘Siegfried’ and ‘The Turn of the Screw’, Royal Ballet & Opera
From fights to frights at the RBO, as I managed to escape from reality there twice in a week: first to see ‘Siegfried’, the third instalment in Barrie Kosky’s ongoing Ring cycle for the company. While we’re talking very narrow margins, ‘Siegfried’ has tended to be my least favourite of the four Ring operas. I’ve…
Shostakovich’s 7th Symphony – music for war and resistance
This week it was off to the Philharmonie de Paris, a state-of-the-art concert hall in the north-eastern periphery of the French capital. Paris may be my second home, but this was my first visit to this musical institution designed by the architect Jean Nouvel. Opened in 2015, after a six year wait, there was a lot…
Queasy listening: ‘Rise and Fall of the City of Mahagonny’, English National Opera, London
The city of Mahagonny rose and fell three times in the space of a week in ENO’s recent ‘blink-and-you’ll-miss-it’ production. Fortunately, enough people did notice and the entire run sold out – so I am glad to have made it to the closing night. This uncompromising, scathing satire from Kurt Weill and Bertolt Brecht tells…
Personal space: Lee Miller, Tate Modern, London
This fascinating exhibition, offering a detailed, thoughtfully-assembled overview of Miller’s career, leaves the visitor in no doubt that she was one of the finest, most important artists to have picked up a camera. I was fortunate enough to go in the show’s final weeks, and for those of you unable to get there, I hope…
The Revival of Germaine Tailleferre’s prolific output
by Michael Johnson We have come a long way since female composers suffered denigration for their supposed inability to compose anything of substance. That battle is largely over and the women seem to be winning. Their music is creeping into classical catalogues and concert programmes alongside the men. A musicologist tells me, “There is no…
Horton takes advice from the old Master and gets a standing ovation for his Chopin Scherzos
Tim Horton’s six-concert Chopin Cycle started back in 2024 and sadly the series is nearly at its end. I was thrilled to be able to catch Horton’s penultimate concert at the Wigmore on January 16th this year, where Ravel’s revolutionary waltzes were judiciously sandwiched between several late Chopin nocturnes and four Scherzos. Throughout his Chopin…
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