Paul Berkowitz has built a solid reputation with heavy-duty recordings of German composers. His complete Schubert piano sonatas, in particular, have earned him much praise. The Canadian-born pianist has now turned his hand to very different French 20th century repertoire with Francis Poulenc’s piano works. Poulenc frequented avant-garde music and literary circles and came to…
Category: 20th century
Latin translations: Julieth Lozano Rolong & João Araújo, ‘Alma: Ibero-American Songs’
This is a thrilling hour in the company of two artists who perform as if this music is flowing through their veins as well as their heritage. ‘Alma’ shines a spotlight on 20th-century repertoire mostly from Latin America, alongside a smaller selection from Spain and Portugal. Although, as the liner notes tell us, some of…
Self taut: Barbara Hepworth ‘Strings’, Piano Nobile
I managed to see this exquisite exhibition with only a few days to spare: it closes on 2 May. If you are in the right place at the right time – Holland Park, London – I urge you to go if you can. For those of you who cannot get there, here is a brief…
The Cartier success story – the tale of three brothers
The Cartier show at the V&A is officially open and what a glittering show it promises to be! I haven’t been yet and before taking myself along to South Kensington, I have been perusing the pages of Cartier, a V&A publication, which accompanies the exhibition. The heavy tome is a catalogue of sumptuous jewellery that…
Blood ties: ‘Festen’, Royal Opera; ‘Mary, Queen of Scots’, English National Opera
It’s been an intense week. Two operas, over two consecutive evenings, spent with two explosively dysfunctional onstage families. Time to decompress. If you keep an eye on London operantics, you’ll be aware of the world première of Mark-Anthony Turnage’s ‘Festen’ (libretto by Lee Hall, directed by Richard Jones) at Royal Ballet & Opera. And if…
Male gaze: Francis Bacon, ‘Human Presence’, National Portrait Gallery, London
This collection of more than 50 portraits painted by Francis Bacon is certainly intense – although perhaps not for the reasons one might have expected. Some of Bacon’s most famous and celebrated canvases show extremes of violence and distortion: the full-on body horror of the early figures at the crucifixion, or the melting abyss of…
Odaline de la Martinez reflects upon her musical career and why she only gets depressed one day a year – if that!
Chachi – or Odaline de la Martinez in full – is a woman of many talents. The Cuban-born, musical polymath, was the first female composer to conduct at the Proms, in 1984. An energetic promoter of women composers and Latin American music, she is conducting at the 9th London Festival of American Music at the…
Charted territory: an African art music update
Rebeca Omordia is a pioneering champion of African art music – that is, works by African composers that blend the influence of both their own musical roots with their experience and knowledge of the Western classical ‘canon’. Back in spring 2022, I wrote about Omordia’s CD ‘African Pianism’ (SOMM Recordings), a stunning collection of solo…
Marital jealousy and the tears of a clown at Opera Holland Park
Opera Holland Park’s decision to bring two operas together in a double-bill was a stroke of genius yesterday evening. Il segreto di Susanna and Pagliacci deal with the same theme of marital jealousy, but in style and content they couldn’t be more different. ‘Il segreto di Susanna’ by German-Italian composer Ermanno Wolf-Ferrari, is a little-known…
Crown prints: ‘Royal Portraits’, The King’s Gallery, London
Subtitled ‘A Century of Photography’, this is an absolute crowd-pleaser of an exhibition, precision-tooled to draw in the fascinated tourist alongside the domestic royal-watcher. However, whatever your views on the monarchy (which, I can assure you, it won’t change in any way), I still think it deserves your attention. This is a show equally concerned…
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