The new show at Tate Britain, British Baroque: Power and Illusion starts in another epoch when our relationship with Europe was a tad strained, let us say, and ends at the point when a German prince who spoke not a word of English was invited – if not begged – to take over the English throne. You’d almost think Tate Britain had timed this show deliberately.
Category: Art
Rencontre avec France Mitrofanoff
Depuis ses débuts dans les années 70, France Mitrofanoff n’a cessé de peindre. D’abord inspirée par le mouvement Cobra, avec ses créatures étranges, elle s’en dégage pour peindre dès Villes, constructions chaotiques où se cachent les habitants, ombres dissimulées derrière les murs. Plus récemment elle a porté son regard sur la nature, en particulier les arbres….
Interview with artist France Mitrofanoff
Having commenced her career in the 1970s, French artist, France Mitrofanoff, has a vast body of work behind her. Over the years she has tackled many themes: the monster, urban living, alienation and reconstruction. In the past decade she has turned away from the city and has focussed on the cosmos and nature. Her star-studded…
My Favourite Things : Tolstoy’s ‘War and Peace’
Battle of Moscow (Borodino) 7th Sept 1812 by Louis-François Lejeune Christmas is nearing and every year I find myself irritable and exhausted and walking over to my bookshelves for literary solace. Dancing over rows of black paperwork classics, my fingers slow over my favoured volumes, all epics. Worlds of past existence inhabit my weighty…
Inspired by the East at the British Museum
Young Woman Reading 1880 by Osman Hamdi Bey Reading the British Museum press release of Inspired by the East: How the Islamic World Influenced Western Art, I was preparing myself for a big show. The exhibition was promoted as “Covering five centuries of artistic interaction”, and since it was a paying show for the…
Into the Night at the Barbican
Shadow Theatre at Le Chat Noir, Paris. I always look forward to the Barbican Gallery’s exhibitions. Theme-based with enticing titles, they always manage to capture the imagination. The last show I covered there, entitled Art, Intimacy and the Avant-Garde (see here LOVE IN A CREATIVE CLIMATE) in January of this year, had been riveting. With the…
‘Rembrandt’s Light’ lights up Dulwich
A new show has opened for autumn at the Dulwich Picture Gallery. It’s called Rembrandt’s Light. It’s intelligent, empathetic, surprising and at one point breathtaking, and I urge you all to go and see it as soon as possible. Dulwich, the UK’s earliest purpose-built public picture gallery (it was founded in 1811), was designed…
Kollwitz’s War and Grief at the British Museum
‘Woman with Dead Child, 1903. Käthe Kollwitz (1867-1945) Käthe Kollwitz, née Schmidt, is not a name I had come across in the art world until the British Museum’s show. Born in 1867, in Königsberg, East Prussia, Kollwitz established herself as a leading, influential graphic artist by the time the First World War came about….
Dulwich Printmaking Show Impresses
Dorrit Black, Music, 1927-28 I had never heard of the Grosvenor School of Modern Art until I set foot in the Dulwich Picture Gallery. Founded by wood engraver, Iain Macnab in 1925, the Grosvenor School was different from other London-based art schools of the time. There were no exams, students enrolled on courses when they could,…
Elizabeth Llewellyn In Fine Voice in Opera Holland Park’s ‘Manon Lescaut’.
It had been quite some time since I had last seen Manon Lescaut, Puccini’s early opera. Not since 2014 when leading man, Jonas Kaufmann, the Tom Jones of opera, topped the bill, playing an overly confident De Grieux at the Royal Opera House. Nevertheless I lapped up his ill-fated love affair with Latvian soprano,…
ARTMUSELONDON 