Charted territory: an African art music update

Rebeca Omordia is a pioneering champion of African art music – that is, works by African composers that blend the influence of both their own musical roots with their experience and knowledge of the Western classical ‘canon’. Back in spring 2022, I wrote about Omordia’s CD ‘African Pianism’ (SOMM Recordings), a stunning collection of solo…

Inside tracks: Olivia Chaney, ‘Circus of Desire’

Because Olivia Chaney only makes great records, it’s tempting to take her new album ‘Circus of Desire’ almost for granted: of course it’s another 40 minutes of uninterrupted beauty and understated elegance. But to do so would be a terrible mistake, especially if it meant ignoring the knotty contradictions and thrilling undercurrents in this latest…

A reflective, sensitive musical journey with pianist Ashley Wass

BLACK & WHITE Ashley Wass, piano This new release from British pianist Ashley Wass celebrates a significant milestone in his musical life – some 40 years since he first touched the keys of a piano. Black and White, the album and corresponding live concerts, is a reflection of the Wass’s desire to find stillness, focus…

A perfect prelude to spring – Natural Connections: Leon McCawley, piano

It’s a truly delightful recording to which Leon McCawley brings his characteristic tastefulness and clarity. Water really does glitter in his hands, lyrical melodies are deftly sculpted and sensitively phrased, and every single piece on this album is communicated with great care and obvious affection.

Spiritual awakening: Leon Bosch & Rebeca Omordia in concert and on disc

The African Concert Series was originally founded and curated by pianist Rebeca Omordia to shine a spotlight on African art music: the diverse work of African composers who, as the series website explains, create “a bridge between Western classical music and African traditional music”. Launched in 2019, the series has had a torrid infancy. After…

La Muse Oubliée II – Antonio Oyazarbal, piano

Music by women composers is now almost ubiquitous in concert programmes and recordings, and the contribution of female composers to classical music’s canon is finally being properly recognised, though not without significant effort on the part of advocates, such as Spanish pianist Antonio Oyazarbal, and the work of DONNE: Women in Music, for which he…