It’s a truly delightful recording to which Leon McCawley brings his characteristic tastefulness and clarity. Water really does glitter in his hands, lyrical melodies are deftly sculpted and sensitively phrased, and every single piece on this album is communicated with great care and obvious affection.
Category: CD review
Composer Dani Howard and her ‘Trombone Concerto’ – a journey in rhythm and brass
ArtMuseLondon’s Karine Hetherington catches up with award-winning composer Dani Howard Growing up in Hong Kong you played piano and the drums. In your large-scale compositions, the percussion certainly stands out. Does the sense of rhythm and energy in your orchestral works come from your early days drumming? Absolutely – I definitely think that this early…
Spiritual awakening: Leon Bosch & Rebeca Omordia in concert and on disc
The African Concert Series was originally founded and curated by pianist Rebeca Omordia to shine a spotlight on African art music: the diverse work of African composers who, as the series website explains, create “a bridge between Western classical music and African traditional music”. Launched in 2019, the series has had a torrid infancy. After…
La Muse Oubliée II – Antonio Oyazarbal, piano
Music by women composers is now almost ubiquitous in concert programmes and recordings, and the contribution of female composers to classical music’s canon is finally being properly recognised, though not without significant effort on the part of advocates, such as Spanish pianist Antonio Oyazarbal, and the work of DONNE: Women in Music, for which he…
‘I had no other tools than to react as an artist.’ – Igor Levit, pianist
MENDELSSOHN – LIEDER OHNE WORTE (SONGS WITHOUT WORDS) IGOR LEVIT piano This new release on CD and streaming from German-Russian pianist Igor Levit is his personal response, in music, to the 7th October 2023 atrocities in Israel and the alarming rise of anti-semitism around the world. ‘I made this recording out of a very, very…
Retrospecstive 2023: Adrian Ainsworth’s 25 recordings of the year
At last! The wait is over. Here is my round-up of favourite releases from the previous calendar year. 2023 felt richer than ever and there were so many wonderful records to choose from. As usual, I’ve spared myself the agony of ranking the selections: democracy rules and the list is in alphabetical order, by artist…
EARTHCYCLE – A Four Seasons for the 21st century
EARTHCYCLE Orchestra of the Swan An innovative and timely project from ever-inventive Orchestra of the Swan (OOTS), Earthcycle finds a compelling way to engage with the threat of climate change, and the human impact on the Earth’s environment and the disruption of its natural rhythms through music inspired by or evoking the natural world,…
Voice recognition: Carolyn Sampson
As many of you will know, soprano Carolyn Sampson reached her 100th recording as a soloist with the release of ‘but I like to sing…’ in November. She celebrated this achievement online, with a series of short videos explaining some of the background to each recording. Full of relaxed charm – with an extra layer…
Songs for Our Times: A unique collaboration to support classical music and composers
“Songs for our Times” is the result of a unique collaboration between two leading British contemporary classical music composers, Stuart MacRae and Bernard Hughes, and Nigerian-American poet/lyricist and medical doctor Chinwe D. John. I first encountered Chinwe’s writing in March 2022 when an EP of settings of some of her poems, “Within A Certain Time…
‘Letter(s) to Erik Satie’ – Pianist Bertrand Chamayou explores the Cage Satie Connection
In Letter(s) to Erik Satie, Bertrand Chamayou celebrates the works of Erik Satie (1866-1925) and John Cage (1912-1992). Satie and Cage might seem an unusual pairing, yet both were idiosyncratic composers, separated by time and geography. The cabarets of 19th century Paris were Satie’s training ground, whereas Cage a conceptual artist from California was blooming…
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