I enjoyed so many great releases during the last year that merely the act of looking back, replaying some key choices, has taken quite some (pleasurable) time. I hope the 25 I eventually settled on include some new discoveries for you, and that you enjoy them as much as I have. The main list is…
Category: CD review
Sparkling Beethoven from Daniel Tong
Beethoven Piano Sonatas, Op. 10 Nos 1-3 Daniel Tong (fortepiano) Resonus RES10307 This sparkling new release from Daniel Tong opens with an explosive ‘Mannheim rocket’, the dramatic first sentence of the Piano Sonata in C minor, Op 10, No. 1, which sets the tone for an uplifting and very enjoyable listening experience. Daniel Tong has…
Intriguing and highly personal – ‘From Afar’ by Vikingur Ólafsson
It seems that whenever Icelandic pianist Vikingur Ólafsson touches a piano, beautiful sounds flow from the instrument – whether it’s Bach, Rameau, Debussy or Philip Glass. His latest release, From Afar, is no exception, with the added sonic treat of two pianos, offering contrasting colours and timbres. This new album, the most personal of all Ólafsson‘s recordings to date, reflects…
Sound and visions: Sean Shibe, ‘Lost & Found’
The latest album from Sean Shibe is original and rewarding; inspired and inspirational. And the more I play it, the more it also feels like a game-changer, the kind of release that could challenge any preconceptions about the instrument featured and open new avenues of writing and recording for it. * For those unfamiliar, Shibe…
Deep Listening – Inner Landscapes: Christina McMaster
“The act of listening can be transformative. It can introduce a change of perspective, heighten our perception of sound, space, time, spirituality. Our intuitive intelligence knows there is more beyond the images we see, the sounds we perceive. Just sit in silence for a few minutes to begin to recognise this. In this age of…
Get ‘Carta’: Xuefei Yang, Royal Liverpool Philharmonic Orchestra, Clark Rundell perform the works of John Brunning
This is an elegant, ravishing album. On first encounter, it might place you firmly in a ‘traditional’ British orchestral soundworld, and lovers of that heritage should investigate this without hesitation. However, there are mysteries and idiosyncrasies waiting to be discovered on further listens – and no wonder, given Xuefei Yang’s distinctive brilliance and composer John…
Apart songs: Carolyn Sampson & Kristian Bezuidenhout, ‘Trennung’
Given the musicians involved, it should come as no surprise to learn that ‘Trennung’ is an immaculately crafted and beautifully performed album. But it’s also an unusual record, turning up at the party dressed as a recital disc, but as time goes on, revealing more and more of its unique character. It’s a considerable sonic…
Stephen Hough plays Schubert
Piano Sonatas D664, 769a & 894 – Stephen Hough (piano). Hyperion, 2022 Schubert’s “heavenly length”, a term coined by Schumann specifically in relation to Schubert’s ‘Great’ C major Symphony, is also very much in evidence in the late piano sonatas, whose first movements can last as long as an entire Beethoven sonata. There is a…
Close to the edit: Edna Stern, ‘Schubert on tape’
Edna Stern’s latest release is a fascinating find. Beautifully performed, for sure, but those performances are led by an intriguing, impeccably realised idea. The pieces on this disc are well-loved and oft-recorded: the first four ‘Impromptus’ (D899) and the ‘Moments Musicaux’ (D780). But Stern, following the courage of her convictions, has arrived at a new…
Leonore Piano Trio plays Bargiel’s Piano Trios Nos 1 and 2
Woldemar Bargiel is not a composer I had heard of. His connection to Clara Wieck (later Schumann) is intriguing. Born in 1828 in Berlin, Woldemar was Clara Wieck’s half-brother – younger by nine years. Despite their difference in age, they enjoyed a life-long closeness of music-making. When Bargiel was born, Clara had already met Robert…