Visions: Cyril Scott Piano Works

For many pianists, our first encounter with the music of Cyril Scott is through his exotic, languorous piece Lotus Land. This was also Georgian pianist Nino Gvetadze’s first introduction to Scott’s piano music, through one of her teachers at Tbilisi Conservatory. Scott’s music is rarely performed today, though Lotus Land remains a perennial favourite at…

Baroque in our time

Giovanni Battista Pergolesi (1710-36) Christmas is nearly upon us and time for the Requiems, the Stabat Maters, to be performed in concert halls and churches up and down the country. Now, more so than ever, audiences, can’t seem to be able to get enough of these religious works. Their familiar musical settings are popular for…

Monumental Messiaen: Steven Osborne at Queen Elizabeth Hall

Olivier Messiaen’s monumental and profound work Vingt Regards sur l’enfant-Jésus (Twenty Gazes on the Infant Jesus) is one of the greatest works in the pianist’s repertoire, standing shoulder-to-shoulder with such titans as Bach’s Goldberg Variations and Beethoven’s Piano Sonatas in terms of its scale. It is one of the most extraordinary and ground-breaking works in…

Pietà Premieres in London: Interview with composer Richard Blackford

    In June 2019 Frances Wilson reviewed Pietà, a new choral work by Richard Blackford for The Cross-Eyed Pianist. Drawing on the theme of maternal grief and loss, Blackford took as his starting point the Stabat Mater. It is a hymn to Mary, and portrays her suffering as Jesus Christ’s mother at his crucifixion. In…