Promentum..!

Many of you reading this will be aware that the pandemically-adjusted 2020 Proms season has just shifted up a gear. Since mid-July, the BBC has raided its archives and broadcast selected performances from past years. Now, however, there is an all-too-brief fortnight of live performances from an audience-free Royal Albert Hall, available on various platforms…

Striking a harpsichord: Mahan Esfahani, ‘Musique?’

It’s impossible to resist writing about this tour-de-force of an album, a CD I’ve lived with now for a few weeks and keep feeling drawn back to, certain in the knowledge there’s always more to hear, more to appreciate. I would be happy to recommend any of Mahan Esfahani’s recordings, but my true favourites are…

Body and soul: Anakronos, ‘The Red Book of Ossory’

This brilliant suite of songs practises its own apparent witchcraft, seducing you more or less straightaway with its beauty – which doesn’t fade after repeated listens. But as the debut album from Anakronos grows more familiar, it reveals and revels in layer after layer of sinister chills and thought-provoking arrangements and effects. Anakronos are a…

Mezzo-soprano Kathryn Rudge and Irish composer Sir Hamilton Harty

Sir Hamilton Harty, composer of many songs of the Edwardian era, has the sort of name you would associate with the character from a Woodhouse novel. He was however a serious musician of Irish extraction from County Down. In 1901 he left Dublin, where he was church organist, and headed to London. Though virtually unknown…

Visions: Cyril Scott Piano Works

For many pianists, our first encounter with the music of Cyril Scott is through his exotic, languorous piece Lotus Land. This was also Georgian pianist Nino Gvetadze’s first introduction to Scott’s piano music, through one of her teachers at Tbilisi Conservatory. Scott’s music is rarely performed today, though Lotus Land remains a perennial favourite at…

Baroque in our time

Giovanni Battista Pergolesi (1710-36) Christmas is nearly upon us and time for the Requiems, the Stabat Maters, to be performed in concert halls and churches up and down the country. Now, more so than ever, audiences, can’t seem to be able to get enough of these religious works. Their familiar musical settings are popular for…

Monumental Messiaen: Steven Osborne at Queen Elizabeth Hall

Olivier Messiaen’s monumental and profound work Vingt Regards sur l’enfant-Jésus (Twenty Gazes on the Infant Jesus) is one of the greatest works in the pianist’s repertoire, standing shoulder-to-shoulder with such titans as Bach’s Goldberg Variations and Beethoven’s Piano Sonatas in terms of its scale. It is one of the most extraordinary and ground-breaking works in…

Pietà Premieres in London: Interview with composer Richard Blackford

    In June 2019 Frances Wilson reviewed Pietà, a new choral work by Richard Blackford for The Cross-Eyed Pianist. Drawing on the theme of maternal grief and loss, Blackford took as his starting point the Stabat Mater. It is a hymn to Mary, and portrays her suffering as Jesus Christ’s mother at his crucifixion. In…