When I first heard cellist-composer Jo Quail perform – back in 2013, in a solo support slot – it was immediately clear that she occupied a genre all her own. A kindred spirit, for sure, with other musicians active in the dark folk / neoclassical / what-you-will underground – especially fellow ‘loopers’ (like Matt Howden,…
Category: Contemporary Music
Active listening: The Necks, Cafe OTO, London
Dalston’s Cafe OTO hides in plain sight, tucked away from the main drag, the venue’s name invisible to the outside observer until their nose is almost pressed up against the chalkboard by the door. Intimate and somehow inscrutable – quite an achievement for a premises – it hosts a jaw-dropping variety of free jazz and…
New tradition: an African Concert Series update
Back in 2018, pianist Rebeca Omordia released a solo recital CD called ‘Ekele’, which showcased African art music – that is, works by African composers who had studied and were influenced by Western classical repertoire. To me – and no doubt many others who came across the album – it was an ear-opening journey into…
Blood ties: ‘Festen’, Royal Opera; ‘Mary, Queen of Scots’, English National Opera
It’s been an intense week. Two operas, over two consecutive evenings, spent with two explosively dysfunctional onstage families. Time to decompress. If you keep an eye on London operantics, you’ll be aware of the world première of Mark-Anthony Turnage’s ‘Festen’ (libretto by Lee Hall, directed by Richard Jones) at Royal Ballet & Opera. And if…
No limit: Barb Jungr and her Trio, ‘Hallelujah on Desolation Row’
While Barb Jungr has interpreted a range of songs by both Bob Dylan and Leonard Cohen throughout her career, this marvellous new release is only her second album to bring them together as ‘twindred spirits’ of sorts. The first, ‘Hard Rain’, is an essential, blistering listen, focusing on the politics in the poetry. However, this…
Passion players: Sasha Cooke & Malcolm Martineau, Wigmore Hall, London
Before this recital, I’d only had relatively few opportunities to hear mezzo-soprano Sasha Cooke live. The first occasion was Handel’s ‘Orlando’ in concert at London’s Barbican in 2016, an evening of such brilliance, I still think about it often. Cooke gave a memorable performance as Medoro (alongside other favourites of mine, including Iestyn Davies and…
Cross bow: Sieben, ‘Brand New Dark Age’ – and more…
Matt Howden has now been writing, performing and recording under his ‘Sieben’ alias for nearly a quarter-century, and the fundamental recipe remains constant. Voice, violin and electronics. However, this apparently limited set-up has never been a constraint. On the contrary, it’s acted as a springboard for a relentlessly restless artist, allergic to repeating himself, hurtling…
Charted territory: an African art music update
Rebeca Omordia is a pioneering champion of African art music – that is, works by African composers that blend the influence of both their own musical roots with their experience and knowledge of the Western classical ‘canon’. Back in spring 2022, I wrote about Omordia’s CD ‘African Pianism’ (SOMM Recordings), a stunning collection of solo…
Emotional intelligence: ‘Eno’
This post is about Gary Hustwit’s new documentary on musician, producer, artist, thinker and what-you-will, Brian Eno. Please feel free to read the sections in any order. Pro-Bono This version of U2’s lead singer – still a youngster, suspended between earnest rookie and later model of save-the-world self-assurance he would eventually become – pours every…
“a warm tribute” – Matt Dibble: 24 Preludes & Fugues
“a warm tribute” – Matt Dibble: 24 Preludes & Fugues
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