‘Jephtha’ was Handel’s final oratorio. He was losing his sight during its composition – ironic, perhaps, that his zealot hero is undone by what he sees at a crucial moment. And, given the work’s power and torment, it is hard not to sense Handel raging against the literal dying of the light. For those unfamiliar…
Category: opera
Dying inside: ‘7 Deaths of Maria Callas’, English National Opera, London
‘7 Deaths of Maria Callas’ is described as an “opera project”, the brainchild of performance artist Marina Abramović. The timing is ideal – English National Opera (ENO) describes the piece as “celebratory”, as we approach the centenary of Callas’s birth on 2 December; while Abramović is currently the subject of a major retrospective at the…
ETO’s new touring opera season opens with ‘The Coronation of Poppea’ at the Hackney Empire
September 30th was an important date in the English Touring Opera diary, with its new production of Coronation of Poppea opening at the splendorous Hackney Empire. Monteverdi’s seventeenth century opera is considered by many to be a masterpiece. It is easy to see why it endures, as it contains a host of fascinating historic figures…
Sea change: ‘Peter Grimes’, English National Opera, London
I was already excited about this evening before a note had even been sung or played. The start of a new ENO season: a happy occasion in itself. But I was also new to this acclaimed David Alden production, which was last given in 2014, only a few months before I went to my very…
The Fairy Queen. Purcell in a Pastoral Setting
On July 1st, for one evening only, The Fairy Queen will be performed in the gardens of Wyke House in Somerset. ArtMuseLondon’s opera reviewer, Karine Hetherington, went to talk to bass-baritone, Timothy Dickinson, and soprano, Amy Carson about Purcell’s opera. Why did you choose this opera? Timothy : Having presented Acis & Galatea, the pinnacle of so-called…
Opera Holland Park Delivers A Polished Production of Rigoletto
Verdi’s opera Rigoletto marked the beginning of Opera Holland Park’s 2023 season last week. The story of a disabled jester who feels trapped in a society he despises makes for good drama. Not surprisingly Verdi saw in the court jester Rigoletto “A Creation worthy of Shakespeare”. “If I am evil – you are to blame”, Rigoletto sings but…
Past and present collide: Saariaho, ‘Innocence’, Royal Opera House, London
Perhaps the most compelling testament to the impact of ‘Innocence’ is that I’ve thought about little else since the curtain fell. Knowing I would want to write about it, I’ve felt the intricacies of the piece turning round in my mind, dovetailing with each other, not unlike the interlocking 3D jigsaw of a set that…
Three dolours trilogy: Puccini, ‘Il trittico’, Scottish Opera
‘Il trittico’ – or, ‘The Triptych’ – is made up of three one-act operas, each roughly an hour long, that on the surface appear totally distinct. So much so, in fact, that companies often break the work up into something more manageable: presenting two parts as a double-bill, for example, or pairing one of the…
A riveting Rhinegold at ENO
The Rhinegold at English National Opera and the auditorium is buzzing with high-energy. Not a spare seat in view. Wagner may be one of opera’s most controversial figures but interest in his music dramas shows no sign of abating. And for good reason, there is much to admire in his musical theatre. Wagner revolutionised opera, created masterpieces of…
Seeing red: ‘Carmen’, English National Opera
This is a stunning production of an opera you might think you know – until this version starts stripping it down, peeling away the layers until you’re left with just a man, a woman… and darkness. English National Opera (ENO)’s current ‘Carmen’ is director Jamie Manton’s revival of Calixto Bieito’s 1999 staging, which updates the…
ARTMUSELONDON 