‘Tao of Glass’ is somewhere between play and performance art, a mix of memoir, meditation and music. It’s a show only actor-director Phelim McDermott could create, and probably only now. It brings together the elements one might expect from him – innovative uses of movement, props and puppets to create a visual language, a universe…
Category: review
Grieving pianist receives a 200-year-old hug from Schubert
When George Fu lost his father, he turned to Schubert for solace. Fu likened the experience of playing Schubert’s Sonata No 19 in C minor to receiving “a hug from 200 years ago”. Out of this difficult time came a recording, Solitude with Schubert. Impressed with the Schubert project, Karine Hetherington from ArtmuseLondon, went to find…
Still life: ‘Marilyn Monroe: a Portrait’, National Portrait Gallery, London
I confess: initially I was in two minds about even attending this exhibition. The hook, for the record, is that 2026 marks Marilyn Monroe’s centenary year. Even so, i was a little sceptical about why – outside its being a surefire hot ticket – the gallery would shine a spotlight on surely one of the…
‘Finale with no ending’ Burstein celebrates the diversity of music
In May of this year I attended the premier of Keith Burstein’s new work, Finale With No Ending, a sextet, which offers tango, Jewish folk music with sumptuous classical orchestration. On stage at the Royal College of Music, Burstein gave the audience some insights into its creation. An early memory of his father playing accordion…
Sound design: Xuefei Yang & Ning Feng, Wigmore Hall, London, UK
Always grateful for a chance to hear guitarist Xuefei Yang play live, I was especially keen to catch this fascinating programme developed in collaboration with violinist Ning Feng. As part of Wigmore Hall’s series of hour-long Sunday morning recitals, it was compact yet wide-ranging: a perfect opportunity to escape the glue-like British humidity into the…
Musical moment: Carolyn Sampson & Joseph Middleton, ‘1901’, Wigmore Hall, London, UK
2026 marks Wigmore Hall’s 125th anniversary, and the venue has been celebrating its birth year in style, with a fortnight-long festival of over 20 concerts. This jewel among them took us back to when the Hall opened its doors, with every song featured dating back to 1901. Followers of this duo will already be familiar…
Diverse Voices in Min Kwon’s America/Beautiful
America/Beautiful, devised and performed by American-Korean pianist Min Kwon, is a five-volume collection comprising 76 new piano works by American composers inspired by the iconic patriotic song ‘America the Beautiful
Star turn: Simone McIntosh & Nathaniel LaNasa, Messiaen’s ‘Harawi’, Wigmore Hall, London
This Sunday afternoon recital promised to be a true rarity. In all the time I’ve been going to Wigmore Hall – in fact, attending art song concerts anywhere – I’ve never knowingly seen Messiaen’s ‘Harawi’ programmed. Recordings also seem relatively scarce, with a handful of mentions on the esteemed Presto Music website, and some of…
Pianist Olga Chelova offers a unique interpretation of Chopin’s Études
‘In this recording, Chelova takes a strikingly personal and philosophical approach to these pieces: here, she seeks not just to perform, but to reinterpret the very meaning of the étude.’
Through the fire and flood: ‘Siegfried’ and ‘The Turn of the Screw’, Royal Ballet & Opera
From fights to frights at the RBO, as I managed to escape from reality there twice in a week: first to see ‘Siegfried’, the third instalment in Barrie Kosky’s ongoing Ring cycle for the company. While we’re talking very narrow margins, ‘Siegfried’ has tended to be my least favourite of the four Ring operas. I’ve…
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