2024 has been the “Year of Czech Music” at the Czech Centre, London. Concerts and films have abounded to remind Londoners not only of the Czech Republic’s incredibly rich heritage but also of its continuing support for its emerging arts and music. One Czech quartet which came to my attention this week was the Kukal…
Category: review
Dress code: ‘Sargent and Fashion’, Tate Britain, London
Anyone with an interest in portraiture will want to see this exhibition – a glorious opportunity to see more than 50 of John Singer Sargent’s paintings gathered in one place. The fashion theme provides a fascinating through-line, a starting point to appreciate the skill and complexity of Sargent’s compositions. But there are multiple layers to…
Going dark: ‘Duke Bluebeard’s Castle’, English National Opera, London
Just two performances at the Coliseum for this new ‘semi-staged concert performance’ of Bartók’s only opera. A masterpiece in miniature – two main characters, their entwined fates settled in a mere hour – its enigmatic spell both terrifies and enthrals. A horror story on the surface with layers of murky psychodrama underneath: whatever one’s interpretation,…
Composer Dani Howard and her ‘Trombone Concerto’ – a journey in rhythm and brass
ArtMuseLondon’s Karine Hetherington catches up with award-winning composer Dani Howard Growing up in Hong Kong you played piano and the drums. In your large-scale compositions, the percussion certainly stands out. Does the sense of rhythm and energy in your orchestral works come from your early days drumming? Absolutely – I definitely think that this early…
Into the abyss: ‘The Zone of Interest’
I’m writing this piece, about the film ‘The Zone of Interest’, on the evening of Monday 11 March, 2024. I sketched a few rough notes out last night, then went to bed – waking this morning, of course, to news of the Oscar winners. I like to think this movie received the two awards that…
English Touring Opera stages Stravinsky’s rare Rake’s Progress at the Hackney Empire
As part of their 2024 Spring opera season, English Touring Opera staged The Rake’s Progress by Igor Stravinsky at the Hackney Empire. Conceived later on in Stravinsky’s life, when he was living in America, The Rake’s Progress was his one and only full-length opera. Drawing inspiration from a William Hogarth exhibition he had visited in Chicago, he got writing…
Spiritual awakening: Leon Bosch & Rebeca Omordia in concert and on disc
The African Concert Series was originally founded and curated by pianist Rebeca Omordia to shine a spotlight on African art music: the diverse work of African composers who, as the series website explains, create “a bridge between Western classical music and African traditional music”. Launched in 2019, the series has had a torrid infancy. After…
Board senseless
For any ArtMuseLondon readers not following the story in the media (social or otherwise), it’s important that we post about latest developments at English National Opera (ENO). Anyone familiar with my articles will know the extent of my admiration for this ensemble, both Chorus and Orchestra. They have continued to give powerful, committed performances across…
English National Opera brings comedy to the fore with The Barber of Seville
Rossini’s Barber of Seville doesn’t often get the attention it deserves. Perhaps because it has often been unfavourably compared to Mozart’s weightier opera, Marriage of Figaro. The Barber of Seville and The Marriage of Figaro started life as plays by eighteenth century playwright, Pierre Beaumarchais. Sharing the same main characters, the operas are often confused….
Picture This : ‘It all started with the Fauves’ Ceramicist Suzanne Katkhuda.
If I ask myself the question “what is success to me in terms of my Art” I find it difficult to explain. I suppose I have always been artistic, but I had a strong urge to study ceramics when I had my two children and attended a pottery evening class in London once a week….
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