Climatic scene from Wagner’s Tristan and Isolde 1910 Rogelio de Egusquiz 1979 was my A-level year. Also the year I discovered Richard Wagner. We had one good stereo system in our sitting room which pumped out rock, pop, jazz and classical at all hours, to all corners of our Victorian house in Barnes. One Sunday afternoon, hunched…
Category: review
In Search of Dora Maar
Model, Assia Granatouroff photographed by Dora Maar As I was about to enter the Tate Modern show on Dora Maar, a question wouldn’t go away. Would Maar’s best work turn out to be what she produced during her years with Picasso? The Barbican show I had attended on artistic couples, in January of this year,…
Orphée – Philip Glass’s mesmerising homage to Jean Cocteau
ENO’s Orphee – exquisitely compelling, it may leave you wondering what really lies on the other side of that mirror in the hallway….
Baroque in our time
Giovanni Battista Pergolesi (1710-36) Christmas is nearly upon us and time for the Requiems, the Stabat Maters, to be performed in concert halls and churches up and down the country. Now, more so than ever, audiences, can’t seem to be able to get enough of these religious works. Their familiar musical settings are popular for…
Monumental Messiaen: Steven Osborne at Queen Elizabeth Hall
Olivier Messiaen’s monumental and profound work Vingt Regards sur l’enfant-Jésus (Twenty Gazes on the Infant Jesus) is one of the greatest works in the pianist’s repertoire, standing shoulder-to-shoulder with such titans as Bach’s Goldberg Variations and Beethoven’s Piano Sonatas in terms of its scale. It is one of the most extraordinary and ground-breaking works in…
Umpteenth revival of Jonathan Miller’s Mikado at ENO
Nineteen eighty-six wasn’t a particularly memorable year in the grand scheme of things. Spain and Portugal joined the European Community (as it then was), Prince Andrew married Sarah Ferguson at Westminster Abbey and Prime Minister Margaret Thatcher officially opened the M25 motorway. If memory serves, your humble reviewer spent most of it looking for a…
An Electrifying ‘Mask of Orpheus’ at ENO
Aerialists, Matthew Smith (Orpheus Hero) and Alfa Marks (Eurydice Hero) Commissioned by ENO, The Mask of Orpheus, caused quite a stir when it premiered at the Coliseum in 1986. Some heralded it as a genius work. Others found it difficult, which probably explains why it has not been fully staged again until now….
Inspired by the East at the British Museum
Young Woman Reading 1880 by Osman Hamdi Bey Reading the British Museum press release of Inspired by the East: How the Islamic World Influenced Western Art, I was preparing myself for a big show. The exhibition was promoted as “Covering five centuries of artistic interaction”, and since it was a paying show for the…
Bridget Riley retrospective mesmerises and excites at Hayward Gallery
I still remember the first time I saw Bridget Riley’s vivid, abstract paintings. It was at a provincial gallery, Wolverhampton or somewhere similar, in the mid-1970s. Coloured stripes and shapes shimmered and bounced, their contrasting yet consonant colours jostling and vibrating on the large canvasses. I was fascinated by the rhythm and energy of these…
Pietà Power at the Cadogan Hall
Saturday night, late October, and there’s a chill in the air, and it’s not all down to weather! Brexit dramas, political deadlock, dire economic and climatic warnings have filled the day. I’m relieved to put those eerily dark streets off Sloane street behind me, and to step into the warmly lit Cadogan Hall. I’ve come…
ARTMUSELONDON 