No limit: Barb Jungr and her Trio, ‘Hallelujah on Desolation Row’

While Barb Jungr has interpreted a range of songs by both Bob Dylan and Leonard Cohen throughout her career, this marvellous new release is only her second album to bring them together as ‘twindred spirits’ of sorts. The first, ‘Hard Rain’, is an essential, blistering listen, focusing on the politics in the poetry. However, this…

Retrospecstive 2024: Adrian Ainsworth’s albums of the year

Time again for my annual labour of love, rounding up my favourite releases of the past year. As usual, I’ve ranged across genres as freely as I can in the time and space available – so I sincerely hope you will browse through the selections and find something intriguing. A bit of housekeeping. Where possible,…

Z.R.I.’s Café Danube: A Musical Journey

The ensemble Z.R.I. take their name from Zum Roten Igel, or ‘To the Red Hedgehog’, the tavern in 19th century Vienna where Schubert and Brahms went to hear Gypsy and folk music. From their radical re-scoring of the Brahms Clarinet Quintet to include accordion and santouri (dulcimer), Z.R.I. create captivating programmes and recordings with their…

Thirst class: ‘The Elixir of Love’, English National Opera, London

ENO’s new production of ‘The Elixir of Love’ is a witty and affectionate take on Donizetti’s comic romance, beautifully realised and performed. On entering the auditorium of the Coliseum, you immediately notice something a little out of the ordinary. Instead of the normal safety curtain, a big screen spans the stage, showing a stylised drawing…

Pianist Joanna Kacperek produces a captivating album with ‘Variations’

With ‘Variations’, pianist, Joanna Kacperek, has chosen to focus on the humble variation. Like many other composers before them and since, Beethoven, Robert and Clara Schumann, Brahms and Chopin, composed many variations. On this album, Kacperek artfully displays the creative possibilities of these variations, which were a way of exploring a theme for these composers,…

Passion players: Sasha Cooke & Malcolm Martineau, Wigmore Hall, London

Before this recital, I’d only had relatively few opportunities to hear mezzo-soprano Sasha Cooke live. The first occasion was Handel’s ‘Orlando’ in concert at London’s Barbican in 2016, an evening of such brilliance, I still think about it often. Cooke gave a memorable performance as Medoro (alongside other favourites of mine, including Iestyn Davies and…

Bywater’s staging of Britten’s Turn of the Screw lifts the opera to new heights

Benjamin Britten’s opera, The Turn of the Screw, is a psychological thriller based on Henry James’s novella of the same title. In the world of opera, psychological thrillers are thin on the ground and for good reason – it is hard to express narrative ambiguity or uncertainty in musical theatre. Isabella Bywater’s production at English National Opera…

London Piano Festival 2024 at King’s Place celebrates Mozart and French female composers

The 2024 London Piano Festival opened with fanfare at King’s Place, London, as renowned pianists, Charles Owen, Katya Apekisheva and Lara Melda, performed Mozart’s Piano Concertos with the Carducci String Quartet* Apekisheva brought her intense concentration and intelligence to Mozart’s exquisite Concerto in A, K414, the Andante movement being particularly delicious! Charles Owen’s beaming countenance…