Continental lift: Rebeca Omordia, ‘African Pianism’; the African Concert Series

This marvellous disc contains multitudes. The variety of sounds and styles packed into its generous 77 minutes showcases not only the infinite intrigue of a music too little-heard until now, but the lightly-worn virtuosity of Omordia herself. (Important note: for the facts/background underpinning this post, I’m indebted to Robert Matthew-Walker’s invaluable booklet notes which, in…

Retrospecstive 2021: Adrian Ainsworth’s 25 recordings of the year

As ever, blood, sweat, tears and several industrial-strength mugs of tea have gone into this year’s round-up. Even while the ongoing impact of the pandemic continues to make musicians’ lives uncertain at best and hellish at worst, they have still managed to do us listeners proud. I have already written about some of the below…

Album release: Georgia Train, ‘Needles & Pinches’

Here is a singer-songwriter confessional that blasts new energy into the genre. Violently resistant to any cliché, the entire album walks a tightrope between the accessible and avant-garde: unflinching, uncompromising and ultimately unforgettable. Georgia Train has already built up a rich back catalogue. I first heard her music as one half of duo Bitter Ruin…

Two of US: Lucas Meachem & Irina Meachem, ‘Shall We Gather’

This is a big, bold, beautiful beast of an album: a concept recital that uses song to grapple with belonging, community and how those noble aims align with what it means to be American. Let me say at the outset that this is a bravura performance by both singer and pianist. This may be a…

Heart songs: Elizabeth Llewellyn & Simon Lepper; Isata Kanneh-Mason

As soon as I read about ‘Heart and Hereafter’, Elizabeth Llewellyn’s debut recital album on Orchid Classics, I was excited and intrigued to hear it – for three main reasons. First, I had seen and heard her give a magnificent performance in the title role of Verdi’s ‘Luisa Miller’ for English National Opera back in…

Set free?

A couple of evenings before writing this, I had the privilege of attending the first art song recital with a live audience at London’s Wigmore Hall since it re-opened to socially-distanced audiences in line with the UK’s current ‘roadmap’ for ending lockdown. The concert was an all-Schubert progamme, performed by soprano Carolyn Sampson and pianist…

Lieder column: some recent art song releases

A slight change of pace for this piece. Blogging is a privilege that allows us – without any oppressive deadlines or word count restrictions – to immerse ourselves in individual releases when approaching each article. That said, it also makes me acutely aware of those times when there’s a run of discs I love, and…

Role players: Carolyn Sampson & Joseph Middleton, ‘Album für die Frau’

A great art song recital can be exactly that: top-notch performances of beautiful works. On this recording, we find Sampson in exquisite voice, Middleton’s playing as impeccable as ever, and the songs featured are a tribute to the duo’s ongoing flair for engaging, informative programming, live and on disc. However, this time round, the central…