To mark the 10th anniversary of the publication of Philip Glass’s 20 Etudes for piano in November 2024, SOMM Recordings has released a Special Edition of Selected Etudes, performed by pianist and composer, Giusto Di Lallo. Following in the Etude-writing tradition of Chopin and Liszt – pedagogical tools to help pianists improve their playing –…
No limit: Barb Jungr and her Trio, ‘Hallelujah on Desolation Row’
While Barb Jungr has interpreted a range of songs by both Bob Dylan and Leonard Cohen throughout her career, this marvellous new release is only her second album to bring them together as ‘twindred spirits’ of sorts. The first, ‘Hard Rain’, is an essential, blistering listen, focusing on the politics in the poetry. However, this…
Retrospecstive 2024: Adrian Ainsworth’s albums of the year
Time again for my annual labour of love, rounding up my favourite releases of the past year. As usual, I’ve ranged across genres as freely as I can in the time and space available – so I sincerely hope you will browse through the selections and find something intriguing. A bit of housekeeping. Where possible,…
Z.R.I.’s Café Danube: A Musical Journey
The ensemble Z.R.I. take their name from Zum Roten Igel, or ‘To the Red Hedgehog’, the tavern in 19th century Vienna where Schubert and Brahms went to hear Gypsy and folk music. From their radical re-scoring of the Brahms Clarinet Quintet to include accordion and santouri (dulcimer), Z.R.I. create captivating programmes and recordings with their…
Male gaze: Francis Bacon, ‘Human Presence’, National Portrait Gallery, London
This collection of more than 50 portraits painted by Francis Bacon is certainly intense – although perhaps not for the reasons one might have expected. Some of Bacon’s most famous and celebrated canvases show extremes of violence and distortion: the full-on body horror of the early figures at the crucifixion, or the melting abyss of…
Thirst class: ‘The Elixir of Love’, English National Opera, London
ENO’s new production of ‘The Elixir of Love’ is a witty and affectionate take on Donizetti’s comic romance, beautifully realised and performed. On entering the auditorium of the Coliseum, you immediately notice something a little out of the ordinary. Instead of the normal safety curtain, a big screen spans the stage, showing a stylised drawing…
Pianist Joanna Kacperek produces a captivating album with ‘Variations’
With ‘Variations’, pianist, Joanna Kacperek, has chosen to focus on the humble variation. Like many other composers before them and since, Beethoven, Robert and Clara Schumann, Brahms and Chopin, composed many variations. On this album, Kacperek artfully displays the creative possibilities of these variations, which were a way of exploring a theme for these composers,…
Odaline de la Martinez reflects upon her musical career and why she only gets depressed one day a year – if that!
Chachi – or Odaline de la Martinez in full – is a woman of many talents. The Cuban-born, musical polymath, was the first female composer to conduct at the Proms, in 1984. An energetic promoter of women composers and Latin American music, she is conducting at the 9th London Festival of American Music at the…
Passion players: Sasha Cooke & Malcolm Martineau, Wigmore Hall, London
Before this recital, I’d only had relatively few opportunities to hear mezzo-soprano Sasha Cooke live. The first occasion was Handel’s ‘Orlando’ in concert at London’s Barbican in 2016, an evening of such brilliance, I still think about it often. Cooke gave a memorable performance as Medoro (alongside other favourites of mine, including Iestyn Davies and…
Bywater’s staging of Britten’s Turn of the Screw lifts the opera to new heights
Benjamin Britten’s opera, The Turn of the Screw, is a psychological thriller based on Henry James’s novella of the same title. In the world of opera, psychological thrillers are thin on the ground and for good reason – it is hard to express narrative ambiguity or uncertainty in musical theatre. Isabella Bywater’s production at English National Opera…
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