Anyone with an interest in portraiture will want to see this exhibition – a glorious opportunity to see more than 50 of John Singer Sargent’s paintings gathered in one place. The fashion theme provides a fascinating through-line, a starting point to appreciate the skill and complexity of Sargent’s compositions. But there are multiple layers to…
Tag: Adrian Ainsworth
Going dark: ‘Duke Bluebeard’s Castle’, English National Opera, London
Just two performances at the Coliseum for this new ‘semi-staged concert performance’ of Bartók’s only opera. A masterpiece in miniature – two main characters, their entwined fates settled in a mere hour – its enigmatic spell both terrifies and enthrals. A horror story on the surface with layers of murky psychodrama underneath: whatever one’s interpretation,…
Into the abyss: ‘The Zone of Interest’
I’m writing this piece, about the film ‘The Zone of Interest’, on the evening of Monday 11 March, 2024. I sketched a few rough notes out last night, then went to bed – waking this morning, of course, to news of the Oscar winners. I like to think this movie received the two awards that…
Spiritual awakening: Leon Bosch & Rebeca Omordia in concert and on disc
The African Concert Series was originally founded and curated by pianist Rebeca Omordia to shine a spotlight on African art music: the diverse work of African composers who, as the series website explains, create “a bridge between Western classical music and African traditional music”. Launched in 2019, the series has had a torrid infancy. After…
Retrospecstive 2023: Adrian Ainsworth’s 25 recordings of the year
At last! The wait is over. Here is my round-up of favourite releases from the previous calendar year. 2023 felt richer than ever and there were so many wonderful records to choose from. As usual, I’ve spared myself the agony of ranking the selections: democracy rules and the list is in alphabetical order, by artist…
Voice recognition: Carolyn Sampson
As many of you will know, soprano Carolyn Sampson reached her 100th recording as a soloist with the release of ‘but I like to sing…’ in November. She celebrated this achievement online, with a series of short videos explaining some of the background to each recording. Full of relaxed charm – with an extra layer…
Photo synthesis: Hiroshi Sugimoto, Hayward Gallery, London
I came to this exhibition very late, so this is something of an ‘emergency’ post to encourage any of you with some time over the holiday season to catch it in its final fortnight. Sugimoto’s photography is always different; always the same. The subjects change but they are all viewed, literally, through the same lens….
The vast picture show: ‘The Big Screen’, Kulturforum, Berlin
Any cinema enthusiasts within visiting distance of Berlin should head to the Kulturforum (the city’s major arts complex located near Potsdamer Platz) before the end of February. Until then, it plays host to ‘The Big Screen’, a huge, wide-ranging exhibition chronicling the development of the film poster, alongside the evolution of cinema itself. A show…
Vow of violence: ‘Jephtha’, Royal Opera House, London
‘Jephtha’ was Handel’s final oratorio. He was losing his sight during its composition – ironic, perhaps, that his zealot hero is undone by what he sees at a crucial moment. And, given the work’s power and torment, it is hard not to sense Handel raging against the literal dying of the light. For those unfamiliar…
Dying inside: ‘7 Deaths of Maria Callas’, English National Opera, London
‘7 Deaths of Maria Callas’ is described as an “opera project”, the brainchild of performance artist Marina Abramović. The timing is ideal – English National Opera (ENO) describes the piece as “celebratory”, as we approach the centenary of Callas’s birth on 2 December; while Abramović is currently the subject of a major retrospective at the…
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