2026 marks Wigmore Hall’s 125th anniversary, and the venue has been celebrating its birth year in style, with a fortnight-long festival of over 20 concerts. This jewel among them took us back to when the Hall opened its doors, with every song featured dating back to 1901. Followers of this duo will already be familiar…
Tag: Adrian Ainsworth
Star turn: Simone McIntosh & Nathaniel LaNasa, Messiaen’s ‘Harawi’, Wigmore Hall, London
This Sunday afternoon recital promised to be a true rarity. In all the time I’ve been going to Wigmore Hall – in fact, attending art song concerts anywhere – I’ve never knowingly seen Messiaen’s ‘Harawi’ programmed. Recordings also seem relatively scarce, with a handful of mentions on the esteemed Presto Music website, and some of…
Through the fire and flood: ‘Siegfried’ and ‘The Turn of the Screw’, Royal Ballet & Opera
From fights to frights at the RBO, as I managed to escape from reality there twice in a week: first to see ‘Siegfried’, the third instalment in Barrie Kosky’s ongoing Ring cycle for the company. While we’re talking very narrow margins, ‘Siegfried’ has tended to be my least favourite of the four Ring operas. I’ve…
Tracks of my tears: Fretwork with Ian Bostridge & Elizabeth Kenny, ‘John Dowland’s Lachrimaes’, Milton Court, London
2026 marks the 400th anniversary of John Dowland’s death. Although it’s an appropriately melancholy milestone, one can only rejoice if it prompts more beautiful concerts like this one throughout the year. I confess that I’m frequently wary of the idea that the worth of music, art or literature from the past rests on its ‘relevance’…
Queasy listening: ‘Rise and Fall of the City of Mahagonny’, English National Opera, London
The city of Mahagonny rose and fell three times in the space of a week in ENO’s recent ‘blink-and-you’ll-miss-it’ production. Fortunately, enough people did notice and the entire run sold out – so I am glad to have made it to the closing night. This uncompromising, scathing satire from Kurt Weill and Bertolt Brecht tells…
Personal space: Lee Miller, Tate Modern, London
This fascinating exhibition, offering a detailed, thoughtfully-assembled overview of Miller’s career, leaves the visitor in no doubt that she was one of the finest, most important artists to have picked up a camera. I was fortunate enough to go in the show’s final weeks, and for those of you unable to get there, I hope…
Retrospecstive 2025: Adrian Ainsworth’s albums of the year
Putting this list together seems to take me a little longer each January, but I firmly believe that – my ‘winning’ approach to organisation aside – it’s simply because I’m privileged to discover so much more great music every year. Without any further delay, then, here are the (20)25 releases I’m keen to bring to…
International anthem: Jo Quail and Friends, Enschede, Netherlands
When I first heard cellist-composer Jo Quail perform – back in 2013, in a solo support slot – it was immediately clear that she occupied a genre all her own. A kindred spirit, for sure, with other musicians active in the dark folk / neoclassical / what-you-will underground – especially fellow ‘loopers’ (like Matt Howden,…
“Why, I auteur…”: ‘The Makropulos Case’ (mostly), Royal Ballet & Opera, London
The latest in the Royal Opera’s Janáček cycle, this is their first production of ‘The Makropulos Case’ – and mine, too. I was excited to be seeing at last this piece that I’d read about but, appropriately enough, had difficulty imagining as a real experience. Please note that this write-up includes ‘spoilers’ to a certain…
Oxford Circus: ‘John Le Carré: Tradecraft’, Weston Library, Oxford
John Le Carré insisted that he was a writer first, and sometime spy second – and this excellent exhibition drawn from the author’s archive honours that self-image. It’s easy to emerge from the exit thinking Le Carré was half man, half words but – appropriately enough – the reality is not so simple. The entrance…
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